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NEWS OF THE SPIRIT

STORIES

All six of the stories in Smith's third collection (Cakewalk, 1981; Me and My Baby View the Eclipse, 1990) have been previously published, so serious students of southern fiction will find much that's familiar here, though none the less enjoyable. Smith writes affectionately of the small social distinctions between working-class and middle-class southerners. Often at the center of her stories is a woman with odd notions or airs, of which she must be disabused, and her chatty narrators embrace a populace of lovable eccentrics. Smith's clearest aesthetic statement here surfaces in ``The Happy Memories Club,'' which concerns an old-age home resident's feisty refusal to render her past through rose- colored glasses—the way everyone else in her writing group does. ``The Bubba Stories'' also focuses on the creation of fiction. But in this case it's a reverse parable: A scholarship student at a fancy girl's college invents a more glamorous life for herself, yet doesn't discover her voice as a writer until she turns to what she knows best—her ordinary family. The prissy, spinsterish narrator of ``Blue Wedding'' returns to her small-town home to settle her father's estate and finds herself loosening up with some iced tea and vodka. The long novella, ``Live Bottomless,'' offers a young girl's perspective on her parents' troubled marriage. After her father leaves his skittish wife for a local artist, the narrator must live with her fundamentalist relatives. But her parents give it another chance on a month-long trip to Key West, where the filming of a Hollywood movie seems to bring just the right level of romance back into their marriage. The equally long ``News of the Spirit'' unites a long-estranged brother and sister—he a druggie and drop-out; she a bit odd herself and stalled in the unmarried state. Their wild reunion frees her from her long-held guilt concerning her troubled brother. As always, lively, salty, and inviting. (Author tour)

Pub Date: Sept. 22, 1997

ISBN: 0-399-14281-9

Page Count: 256

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1997

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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