by Lee Weatherly ‧ RELEASE DATE: June 11, 2002
Thirteen-year-old Jules Cheney’s father, Ben, is her devoted chauffeur, cook, and confidante until a fight between him and Jules’s workaholic mother forces him to leave without a trace. Jules discovers—along with the rest of the world—Ben’s anguish when she reads in the newspaper that he is not her biological father, has prompted an unprecedented court case in which he demands monetary restitution for his years of fatherhood, and can no longer bear to see Jules. As a result, Jules becomes Child X to the press, an attempt to protect her identity that only leads to public scrutiny among the media, camera crews documenting her every move, and humiliation at school. As she grapples with blaming her mother, Ben, and even herself, Jules also bravely stands up for her own needs from the media and as a daughter. Throughout this tragedy, Jules, having caught the acting bug like her Uncle Derek, auditions for and takes the part of Lyra in a community production of Philip Pullman’s Northern Lights (American readers know it as The Golden Compass). First-time author Weatherly draws interesting parallels between these two British heroines and leaves many clues about the identity of Father X as well as enormous holes in the logic. The resilient and endearing Jules narrates her own story in an authentic voice, but the overall impression is that of a made-for-TV movie. Melodrama with teen style. (Fiction. 11-15)
Pub Date: June 11, 2002
ISBN: 0-385-75009-9
Page Count: 208
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2002
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by Elinor Teele ; illustrated by Ben Whitehouse ‧ RELEASE DATE: April 12, 2016
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Elinor Teele
by Richard Peck ‧ RELEASE DATE: Oct. 1, 2000
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
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by Richard Peck
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by Richard Peck ; illustrated by Kelly Murphy
BOOK REVIEW
by Richard Peck illustrated by Kelly Murphy
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