Charming and lively, if somewhat predictable.
A woman flees her recently torn-apart marriage to Paris, where she reevaluates her life.
When Vincent Wilde’s husband, Cillian, a renowned author, publishes a novel that tells the thinly veiled story of their relationship—and reveals the existence of an illegitimate child he fathered at age 15—she finds solace in temporarily relocating to Paris, home of her namesake, Van Gogh. In Paris, she can be “simply Vincent, not Vincent the wife or Vincent the mom or Vincent the daughter or Vincent the sister.” Vincent stays in her artist parents’ lush apartment; hosts dinners attended by a cast of cultured acquaintances; and teaches a class on journaling. The pleasant rhythm of Vincent’s routine is interrupted, though, when a friend introduces her to the energetic, violently attractive Loup—a 24-year-old who, like his wolfish namesake, symbolizes a force equally captivating and dangerous. Loup is instantly enamored with Vincent, and as he’s woven into her social circle, the attraction between them grows stronger and harder for Vincent to resist. Meanwhile, she tries to process frequent apology letters from Cillian, who’s seeking reconciliation, and strikes up a surprisingly heartfelt correspondence with her husband's estranged son. Vincent and Loup finally initiate an affair whose intensity is entirely befitting of Paris: wandering through the city aimlessly at night; meeting at Loup’s band’s smoky, busy shows; and discovering one another physically. But as Vincent's son’s wedding approaches, ensuring a reunion between her and Cillian, she’s compelled to reevaluate the person she’s become during her marriage and must decide whether her time in Paris will prove life-altering or nothing but a brief, beautiful mirage. Though its plot sometimes proves predictable—the love triangle at the book’s center is its almost-exclusive focus, and it presents few unexpected turns (or character developments, at least on the men’s parts)—this is a smoothly written, enjoyable novel that gives due to the social and emotional complexities of middle age. Vincent is a lovable protagonist; the narrative is also interspersed with her diary entries and letters, creating a self-aware, three-dimensional character. Cross-Smith sensitively explores the many permutations of romantic and platonic love and the idea that, especially in Paris, one’s love may not be limited to a single other person.
Charming and lively, if somewhat predictable.Pub Date: May 31, 2022
ISBN: 978-1-5387-5516-7
Page Count: 384
Publisher: Grand Central Publishing
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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