Handsomely written, rich with the feel and flavor of the plains—and suited mainly for those whose yearnings are in the...
Minnesotan Enger pulls out the stops in this readable albeit religiously correct debut about a family with a father who may be touched by God and a son by the Devil.
Jeremiah Land’s wife left him years ago, and now, in a midwestern town called Roofing, in 1962 or so, he’s janitor at the local school and sole parent of chronically asthmatic Reuben, 11 and the tale’s teller; his precocious sister Swede, only 9 and already an accomplished poet of western outlaw-romances; and Davy, who at 17 becomes a killer—though possibly a just one. Two town boys from the wrong side of the tracks have a grudge against custodian Jeremiah (he caught them in the girls’ locker room) and, after vowing revenge (and briefly kidnapping Swede), they appear one night in the upstairs of the Land house, whereupon Davy (did he lure them there?) bravely and determinedly shoots them dead. There’s a trial, a conviction—and then a jailbreak as Davy escapes, not to be seen for some months. Miraculous? Well, Reuben has seen his father walk on air (“Make of it what you will,” he advises the reader), and now there’s a miraculous meal (a pot of soup is bottomless), the miracle of the family’s being left an Airstream trailer—even the miracle of Jeremiah being fired, leaving the family free to take to the road after Davy. The direction they go (toward the Badlands), how they avoid the police, what people they meet (including a future wife for Jeremiah), how they find handsome Davy—all depend on what may or may not constitute miracle, subtle or wondrous, including the suspenseful events leading to a last gunfight and the biggest miracle of all (preceded by a glimpse of heaven), all followed by certain rearrangements among the lives of mortals.
Handsomely written, rich with the feel and flavor of the plains—and suited mainly for those whose yearnings are in the down-home, just-folks style of the godly.Pub Date: Sept. 1, 2001
ISBN: 0-87113-795-X
Page Count: 320
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2001
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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