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CUBA ON THE VERGE

12 WRITERS ON CONTINUITY AND CHANGE IN HAVANA AND ACROSS THE COUNTRY

An affecting portrait of a country that is awash in poverty, sadness, and uncertainty.

Cuba is on the verge…but of what?

Argentinian journalist Guerriero (A Simple Story: The Last Malambo, 2017, etc.) brings together 12 writers to assess the state of Cuba today in these very personal essays. Six natives write from the inside, six from the outside looking in. Theirs is a somber take on the island country. Novelist Patricia Engel writes about “Mi Amigo Manuel,” who works six days a week driving people around Havana in his classic American car. He succinctly captures the country’s ennui in just a few sentences: popes and presidents come and go, “but for us, nothing changes. Here we are. Here we will always be….The same Cuba, the same ruta, the same struggle always.” His pessimistic attitude echoes throughout the book. Even baseball, which is discussed a few times, has changed. Soccer has taken over. Cuban journalist/novelist Leonardo Padura reflects back on his youth and his passion for the game in the bittersweet “Dreaming in Cuba.” Fidel’s Castro’s revolution took away the proud profession of baseball and turned it into an amateur sport, ending players’ livelihoods. What Padura sees in the streets of Havana “is not a simple phenomenon of fashion or sports preference: it is a cultural trauma of unpredictable consequences for the Cuban identity.” What one finds all over Cuba now, besides the shortages of basic items, are the jineteras, women who prostitute themselves, and the jineteros, men who play the gigolo for foreign visitors. In her shocking “Glamour and Revolution,” Cuban poet and novelist Wendy Guerra notes that abortion is now the country’s contraception, and as for the “female figure’s relationship to Cuban heroes, leaders, and rulers, she isn’t even in the background. She simply doesn’t exist.” As screenwriter and director Mauricio Vicent ironically puts it, for most, Gabriel García Márquez’s One Hundred Years of Solitude is magical realism. In Cuba, it’s a “deeply sensible and realistic novel.”

An affecting portrait of a country that is awash in poverty, sadness, and uncertainty.

Pub Date: Dec. 5, 2017

ISBN: 978-0-06-266106-7

Page Count: 304

Publisher: Ecco/HarperCollins

Review Posted Online: Sept. 18, 2017

Kirkus Reviews Issue: Oct. 1, 2017

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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