Meacham's fans—and she has many—will be glad for this prequel.
Of teary eyes and torn crinoline: an appropriately big Texas saga by homegrown romance maven Meacham (Tumbleweeds, 2012, etc.).
The sins of the fathers are visited upon the children. Or maybe the other way around, since this book covers the generations before the Warwicks and Tolivers donned Ralph Lauren, before their Dallas dust-ups in Roses (2010). Meacham’s steamy prequel opens in Tidewater country, where young Jessica is pitching a wobbly because—well, because the pressure is on to do right by the paterfamilias and marry well onto some rich plantation, the ethical niceties of human bondage notwithstanding. Quoth she, in language befitting a coarser but more modern version of Gone with the Wind, “I’d rather copulate with a mule than a slave owner.” It takes many pages before Miss Jessica bestirs herself for the westward movement and Manifest Destiny, for a vast landscape fussed and feuded over by stalwart Jeremy Warwick and Silas Toliver. Well, you can't settle a frontier or found an empire without breaking eggs, and Meacham's latest is littered with broken shells—most of them broken at just the right moment and not haphazardly, but always with the opportunity for bosoms to heave into view. Meacham writes skillfully, if never stretching the bounds of the historical romance genre; readers expecting a yarn of the Lonesome Dove school will find that they're in Barbara Cartland territory instead. (Miss Jessie, after all, belongs not to the local chapter of the Texas Rangers auxiliary but to a book club.) Still, Meacham writes competently, if without much flair, and her tale delivers what it sets out to do: Namely, it’s a historical oater with oodles of emotion, rent hearts, sundered friendships and fierce Comanches. And does Ms. Jessie ever get around to bedding down with an anti-abolitionist? There’s the question.
Meacham's fans—and she has many—will be glad for this prequel.Pub Date: Feb. 4, 2014
ISBN: 978-1-4555-4738-8
Page Count: 624
Publisher: Grand Central Publishing
Review Posted Online: Aug. 30, 2013
Kirkus Reviews Issue: Sept. 15, 2013
IN THE NEWS
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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