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THE GIRLS WHO GREW BIG

A sensual set of character studies, shaped by compassion and defiance.

A group of teen mothers gathers in solidarity.

Mottley’s second novel, following Nightcrawling (2022), concerns the Girls, a clique of young women in the coastal town of Padua Beach, Florida, united by their teen pregnancies and active contempt for the families, schools, and other social structures that seek to diminish them. The story alternates among three narrators, starting with leader Simone, who in a vivid opening scene describes chewing off her umbilical cord in the bed of a pickup truck for lack of a knife. (Well, a clean one—her partner’s dingy blade, like most of the men in this story, doesn’t measure up.) The second narrator, Adela, an aspiring Olympic swimmer until her pregnancy, has been shipped by her family to Padua Beach until she gives birth. The third, Emory, has an infant son, Kai, whom she insists on bringing to high school during her senior year, determined to go to college. Each in their own way claps back against their critics, hyperalert to how they’re diminished: “You wouldn’t believe what happens when a girl these days gets knocked up,” Emory says. “Suddenly, it’s the most important thing about you…You are nothing but a young mother.” Mottley’s lyrical prose and spirited characters are meant to be a counterweight to such reductionism, and there are fine set pieces throughout: bonding over breastfeeding methods, selling “jungle juice” to spring breakers for extra funds, a harrowing homebrew abortion that’s forced by hyperrestrictive state legislation. The plot can get soap opera–ish—Simone’s brother, Jayden, is the father of Emory’s child, and romantic squabbles abound. At times, Mottley’s prose gets overheated: “They don’t tell you in first aid training about the way blood works, about the thump and swirl of red hot beneath the skin and what happens when it runs drought dry.” But the ferocity of her characters gets over, letting an aggressively misunderstood group speak for itself.

A sensual set of character studies, shaped by compassion and defiance.

Pub Date: June 24, 2025

ISBN: 9780593801123

Page Count: 352

Publisher: Knopf

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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