Philip’s family history is alarmingly transporting, and her sense of place so rich you can taste it.
An exquisite rendering of a Hudson Valley family farm, as detailed and colored as a Persian miniature, from Philip (English/Colgate Univ.; The Road Through Miyama, 1989).
Since 1732, Philip’s family has had a farm in Columbia County, New York. Talavera, the farm mansion built by her forebears the Van Nesses, is where her mother lives today, though precariously. Maintaining a farm on such desirable property is tough. The pick-your-own apple and pear operation the family had run for the past few decades produces too little income these days to contend with high taxes and the cost of labor and agricultural inputs. The thought of losing Talavera is crippling to Philip: “I know where I am when I am here. I am home.” Attempting to fathom her attachment, the author reads the wonderfully complete record of diaries and business accounts and work orders that comprise the family archive. They provide a remarkably clear picture of the farm, starting from the years preceding the Civil War. Although the gentleman who built the house was a bit of a local grandee, the Van Ness/Philip family were not country squires, but working farmers who tended orchards and hog operations, horses and field crops. The letters so lovingly kept also reveal a cast of family characters: “The wild aunt, the radical aunt, the aunt who had been forgotten altogether. All had lived at Talavera and had left their mark.” There are rectitudinous men and women, and there are black sheep: “Gaston was sent out of the country for a while until the affair settled down.” And while Philip comes to recognize that Talavera is much a part of her identity, she also begins to understand the Van Ness/Philip brood were a footloose bunch that rarely had a boodle, and if she were forced to surrender Talavera to development, her ties would never be cut.
Philip’s family history is alarmingly transporting, and her sense of place so rich you can taste it.Pub Date: Oct. 7, 2001
ISBN: 0-670-03013-9
Page Count: 288
Publisher: Viking
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2001
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
