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BLOOD, TEARS, AND FOLLY

AN OBJECTIVE LOOK AT WORLD WAR II

Deighton returns to his longtime avocation of military history—here, by focusing on the early years of WW II. Unfortunately, the result shows precious little evidence of original research, let alone fresh perspectives. Drawing mainly on secondary sources—including his own Fighter (1978) and Blitzkrieg (1980)—Deighton offers a digressive, mildly contrarian appreciation of WW II from its onset through the moment more than two years later when the US was drawn into the global conflict. His purpose is to document the poor performance of world leaders before and during this time, as well as the bravery with which those they governed or ruled supported their manifold follies. The author's also at pains to remind his British compatriots that the sun has long since set on their empire—and that their finest hour was a very near thing. Moving backward and forward in time to provide context for his principal themes, Deighton focuses on a half-dozen big-picture events—ranging from the Battle of the Atlantic through the Nazi conquest of Europe; Mediterranean campaigns (North Africa, Greece, etc.); the early stages of aerial combat; and German's ill-advised invasion of Russia. Assessed as well are the factors that led Japan to launch its reckless attack on Pearl Harbor, thereby unleashing America's vast resources against the Land of the Rising Sun and its Axis partners. Save for brief asides on sideshows in eastern Africa and Iraq, however, the lengthy, accentuate-the-negative narrative covers ground that will be familiar to even casual students of the war's initial phase—and affords few new insights to boot. At best, then, a serviceable synthesis. (Photographs, line drawings, and maps)

Pub Date: Nov. 30, 1993

ISBN: 0-06-017000-X

Page Count: 416

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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