The final volume in the third of Deighton's Cold War trilogies to feature Bernard Samson, the star-crossed British intelligence agent who has yet to wear out his welcome. Back from a couple of enervating sojourns behind the Iron Curtain at the start of 1988 (Hope, 1996), Bernard (assistant to MI6's Berlin Resident) once again makes a nuisance of himself by digging into the death of his sister-in-law Tessa. The lost lady was killed in a shootout prior to the extraction from East Germany of Bernard's wife Fiona (a fellow spy who had infiltrated the Stasi as a counterfeit traitor). Assuming London Central ordered Tessa's murder to provide a corpse that would convince DDR authorities that Fiona had died in an abortive effort to return her to the West, the seasoned field-agent begins raking up a past his superiors want to forget. Among those he importunes for information are Silas Gaunt (a nominally retired but still legendary figure in the UK's espionage community), Jim Prettyman (a venal, terminally ill colleague), and Werner Volkman (a lifelong friend who handles spot assignments for SIS). Initially, Bernard makes little headway in his inquiries. Eventually, though, the tangled web begins to unravel, the conspiracy to make sense. The tension builds nicely as Bernard leverages his hard-won knowledge and forces the tawdry supporting players to take violent action. The devious principals remain behind the scenes until upper-echelon disclosures at a closed-door meeting in Berlin confirm Bernard's suspicions about their gratuitously duplicitous roles. At which point, the department's deputy director bleakly concludes that a particularly heinous act was, if not a perfect crime, at least a perfect solution. Bernard Samson gives another fine account of himself, earning a substantive measure of professional and personal redemption. Even so, almost 18 months remain on Deighton's narrative calendar before the Berlin Wall comes down, suggesting to optimists that the author has world enough and time for more trilogies. ($100,000 ad promo)
Pub Date: Dec. 18, 1996
ISBN: 0-06-018728-X
Page Count: 304
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 1996
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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