Deighton artfully fills in more blanks in the long-running saga of British espionage agent Bernard Samson, the protagonist in two earlier trilogies and the featured attraction of this sequel to Faith (1995). It's the fall of 1987, and Bernard has taken arms against a sea of troubles. His wife Fiona (a fellow spy)—now back from East Germany, where she penetrated the Stasi as a sham defector—is behaving oddly, and her return has obliged him to dump Gloria, a luscious Hungarian operative with whom he's been making soul- satisfying whoopee. Meanwhile, Bernard's brother-in-law George Kosinski has gone missing. Married to Fiona's sister Tessa (apparently killed in Berlin during the former's flight back to the West), George is a wealthy, first-generation Englishman of affairs. His disappearance triggers alarms and excursions at London Central, where Bernard's Oxbridge-educated masters decree that the suspected runaway must be located. With inept assistance from his twitty but ruthlessly ambitious boss, Dickey Cruyer, Bernard tracks his quarry through the back alleys of Zurich and Warsaw to a down-at-heels estate near the Polish/Russian frontier, where the elusive George still has family. Presented with grisly physical evidence of George's death, the credulous Dickey calls a halt to the search. Once back in the UK, Bernard (who puts no stock in the official version of George's fate) is reassigned to his old stamping ground in Berlin, where the opposition takes its best shot at him. Recalled to London after George's been spotted alive and well in the homeland of his parents, world-weary Bernard goes back to winter-bound Poland to oversee a daring extraction designed to bring him and a suspected turncoat home free. Vivid, class-conscious characters whose fond pageants play out amidst the workaday deceits of the intelligence game, plus plot twists and violent action galore: one of the more absorbing entries in Deighton's ongoing series. (First printing of 70,000; Literary Guild alternate selection; $175,000 ad/promo)
Pub Date: Jan. 3, 1996
ISBN: 0-06-017696-2
Page Count: 320
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 1995
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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