Sharp, if relentless.
Swedish novelist Andersson (Willful Disregard, 2016) charts the course of an exhausting affair between a writer and a charmless, married actor.
Ester Nilsson, a poet/philosopher/translator, meets actor Olof Sten at the read-through of her first play, a “melancholy reflection on the agonies of love.” The play, called Threesome, is about a “man trapped in an unhappy marriage who meets another woman but can’t bring himself to leave his wife,” which—conveniently—is also the plot of this novel. After this first meeting, Ester and Olof fall into a hesitant noncourtship, made up of agonizing phone calls and text exchanges and sometimes drinks but never physical consummation. “His marriage was disintegrating; there was no doubt about that,” Ester decides. “All she had to do was wait.” Unfortunately for Ester, Olof seems not to have reached the same conclusion and instead insists that they do not have a romantic relationship and also that he has no intention of leaving his wife. This stance becomes somewhat complicated when, after several months, he and Ester do inevitably sleep together—when Olof in fact invites Ester to visit him for a weekend of skiing—but the affair never quite takes off in earnest on account of how Olof will never wholly concede that it is happening. As a result of their mutual attraction but nonmutual commitment, he and Ester break up and reunite repeatedly, with Olof offering just enough validation to keep Ester believing, despite some lack of behavioral evidence, that he is just about to leave his wife. Andersson’s writing, crisply translated from the Swedish by Vogel, is wry and refreshingly unsentimental, but the drawback of a 300-plus page novel charting the minutiae of an underwhelming relationship in excruciating detail is that it is excruciating; the relationship has little going for it, and while this is all too realistic, Andersson’s sharp eye and quick wit cannot quite redeem the experience.
Sharp, if relentless.Pub Date: April 23, 2019
ISBN: 978-1-59051-903-5
Page Count: 336
Publisher: Other Press
Review Posted Online: Feb. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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