As characterized here, Becky doesn’t earn the equal time she clamors for.
A supporting character in Twain’s The Adventures of Tom Sawyer gets her own novel.
Reviewing her past at 70, Becky Thatcher means to set the record straight. She wasn’t the prissy crybaby portrayed in her old schoolmate Sam Clemens’s bestselling book. She wasn’t just rascally Tom Sawyer’s schoolyard crush—she was his lover and the mother of his child. She was a tomboy who snuck out at night to tail Tom and Huck Finn on their mischief missions around Hannibal, Mo. And Clemens got it wrong about that graveyard murder. Muff Potter, not Injun Joe, was the culprit, and Becky’s first rupture with Tom happened because he inculpated Joe. Grown-up Becky marries Tom’s cousin Sid. Tom pilots riverboats and Huck skulks around Hannibal, a human cipher. When Sid enlists to fight, and Missouri is ravaged by Civil War shortages and marauding gangs, Becky helps her father, Judge Thatcher, escape arrest for treason. Her infant son Tyler has died, leaving only Gage, her son conceived in a tryst with Tom—a secret she withholds from Sid. Dressing as a soldier, Becky follows the troops and rescues Sid. On their return to Hannibal they witness a steamboat explosion in which Tom is lost. The couple head west to join the Nevada gold rush. Sid discovers a rich silver vein, but is killed by vigilantes. Now a wealthy widow, Becky journeys with Gage and her new daughter by Sid to San Francisco. Encouraged by Sam, she becomes a newspaperwoman. But Becky still yearns for Tom and regrets deceiving Sid. A telegraph from Hannibal reveals that Tom is alive, but desperately ill in Panama, where he and Huck had gone for their latest adventure. Becky must follow them one last time. Feisty Becky and charismatic Tom are still, in Hart’s retelling, unable to transcend their Twain-fostered public images. Huck’s best friends ultimately appear to be as unknowable as he is.
As characterized here, Becky doesn’t earn the equal time she clamors for.Pub Date: Jan. 8, 2008
ISBN: 978-0-312-37327-6
Page Count: 384
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2007
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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