by Leo Dillon & Diane Dillon ‧ RELEASE DATE: Oct. 1, 1998
The Dillons illustrate the familiar verses of Ecclesiastes in the King James version, one spread for every double-edged phrase, e.g., “a time to mourn, and a time to dance.” They have taken inspiration for these gouache, acrylic, watercolor, and ink paintings the great art of the world; the opening image is based on the Book of Kells; among other styles used are Japanese ukiyo-e, Greek red-and-black pottery, kiva painting, medieval woodcuts, Russian icons, and Thai shadow plays. Every one is executed with meticulous precision and great feeling; all are annotated at the end. This is a gift book in the best sense, to be read often; if children don’t respond immediately to its overall formality, they will surely find pages to pore over herein. (Picture book. 9+)
Pub Date: Oct. 1, 1998
ISBN: 0-590-47887-7
Page Count: 40
Publisher: Blue Sky/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1998
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by Lamar Giles ; illustrated by Dapo Adeola ‧ RELEASE DATE: April 2, 2019
This can’t be the last we ever hear of the Legendary Alston Boys of the purely surreal Logan County—imaginative,...
Can this really be the first time readers meet the Legendary Alston Boys of Logan County? Cousins and veteran sleuths Otto and Sheed Alston show us that we are the ones who are late to their greatness.
These two black boys are coming to terms with the end of their brave, heroic summer at Grandma’s, with a return to school just right around the corner. They’ve already got two keys to the city, but the rival Epic Ellisons—twin sisters Wiki and Leen—are steadily gaining celebrity across Logan County, Virginia, and have in hand their third key to the city. No way summer can end like this! These young people are powerful, courageous, experienced adventurers molded through their heroic commitment to discipline and deduction. They’ve got their shared, lifesaving maneuvers committed to memory (printed in a helpful appendix) and ready to save any day. Save the day they must, as a mysterious, bendy gentleman and an oversized, clingy platypus have been unleashed on the city of Fry, and all the residents and their belongings seem to be frozen in time and place. Will they be able to solve this one? With total mastery, Giles creates in Logan County an exuberant vortex of weirdness, where the commonplace sits cheek by jowl with the utterly fantastic, and populates it with memorable characters who more than live up to their setting.
This can’t be the last we ever hear of the Legendary Alston Boys of the purely surreal Logan County—imaginative, thrill-seeking readers, this is a series to look out for. (Fantasy. 10-12)Pub Date: April 2, 2019
ISBN: 978-1-328-46083-7
Page Count: 304
Publisher: Versify/HMH
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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by Lamar Giles ; illustrated by Derick Brooks
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by Mac Barnett ; illustrated by Jon Klassen ‧ RELEASE DATE: May 8, 2018
For all its brevity, chockablock with philosophical topics to ponder and debate.
In the wake of Triangle (2017), a further raft of ontological posers in stripped-down geometric garb.
Square, an unreflective sort, regards hauling large cubes of rock from the depths of his secret cave to a hilltop every day as his “work.” He is set to a new task, though, after Circle praises him as a “sculptor” and a “genius,” then commissions a portrait. Cluelessly setting to with a hammer and chisel to carve a “perfect” representation of Circle from a stone block, Square is left at the end of the day in the middle of a ring of rubble. Despairingly, he falls asleep as rain begins to fall. Next morning the despair is still there—so when Circle floats up and sees her reflection in the puddle that’s accumulated overnight her response is unexpected: “It is perfect,” she says. “You are a genius.” Barnett’s closing “But was he really?” leaves readers (those who have the appropriate patience and experience, anyway) to judge for themselves. Square’s downcast eyes as he looks at his own reflection in the puddle heighten the ambiguity. With typically deceptive minimalism Klassen places a few flat, blocky shapes on the white pages to suggest the physical landscape, angling Square’s body and glance to convey the emotional one. Humor is in the details: a bit of twig that catches on harried Square’s head and stays there; the shadow that appears beneath Circle as she floats along through the air.
For all its brevity, chockablock with philosophical topics to ponder and debate. (Picture book. 10-adult)Pub Date: May 8, 2018
ISBN: 978-0-7636-9607-8
Page Count: 48
Publisher: Candlewick
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
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