by Leo Schulte & John Schulte ‧ RELEASE DATE: April 8, 2013
Ambitious, but seriously lacking polish—and also a reason to read any sequels.
A light scattering of digital inserts doesn’t raise the grade of this mannered tale of high school murder, published on paper in 2009.
Framed as transcribed entries from a found journal, the open-ended tale begins with the discovery of a (supposed) murder-suicide and ends with the further death of a (purported) witness. In between, the unnamed narrator intersperses the account of the investigations with low opinions of fellow students, teachers, school lunch, Hemingway and like adolescent targets. A clutch of ambiguous incidents, inscrutable clues and unreliable-sounding witnesses all remain so at the end and shed no more light on what’s going on than do the bombastic side comments (“Intelligence is gender neutral, but stupidity is a bitch”) that appear when the antique woodcut vignettes scattered throughout are clicked. Nor are readers likely to be engaged by the narrator’s teasing refusals to reveal his or her gender (a reference to a boys’ gym class is probably an authorial mistake rather than a deliberate clue). A jumbled Blair Witch Project–style video trailer is tacked to the front end.
Ambitious, but seriously lacking polish—and also a reason to read any sequels. (Enhanced e-book mystery. 12-14)Pub Date: April 8, 2013
ISBN: N/A
Page Count: -
Publisher: PANGEA
Review Posted Online: May 7, 2013
Kirkus Reviews Issue: June 1, 2013
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by Jan Brett ‧ RELEASE DATE: Oct. 1, 1999
In a snowbound Swiss village, Matti figures it’s a good day to make a gingerbread man. He and his mother mix a batch of gingerbread and tuck it in the oven, but Matti is too impatient to wait ten minutes without peeking. When he opens the door, out pops a gingerbread baby, taunting the familiar refrain, “Catch me if you can.” The brash imp races all over the village, teasing animals and tweaking the noses of the citizenry, until there is a fair crowd on his heels intent on giving him a drubbing. Always he remains just out of reach as he races over the winterscape, beautifully rendered with elegant countryside and architectural details by Brett. All the while, Matti is busy back home, building a gingerbread house to entice the nervy cookie to safe harbor. It works, too, and Matti is able to spirit the gingerbread baby away from the mob. The mischief-maker may be a brat, but the gingerbread cookie is also the agent of good cheer, and Brett allows that spirit to run free on these pages. (Picture book. 4-8)
Pub Date: Oct. 1, 1999
ISBN: 0-399-23444-6
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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by Joy Cowley ‧ RELEASE DATE: March 1, 1999
Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)
Pub Date: March 1, 1999
ISBN: 0-590-87175-7
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
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by Hye-Eun Shin ; illustrated by Su-Bi Jeong ; edited by Joy Cowley
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