bookshelf

HOW MUCH LAND DOES A MAN NEED?

Name: HOW MUCH LAND DOES A MAN NEED?
Author: Leo Tolstoy
ISBN: 1-56656-407-7

by Leo Tolstoy & illustrated by Elena Abesinova ‧ RELEASE DATE: Nov. 1, 2001

bookshelf

A man’s greed leads to his downfall in this adaptation of an 1886 short story. Pakhom is a peasant whose wife is happy with life but who himself has an insatiable desire for more and more land. He follows rumors and stories from place to place, enlarging his holdings each time, until he hears that the Bashkirs are practically giving away huge tracts of land. He investigates, to find that for 1,000 rubles, he can claim as much land as he can walk around in a day. Greed keeps him walking until sundown, when he finally reaches his starting point—and falls down dead. It is a sudden end to what has until that point been a fairly sprightly tale about greed and contentment along the lines of the many variants on “The Fisherman and His Wife.” The final illustration depicts Pakhom ascending with a host of angels, but it is doubtful that this will do much to soften the text: “Pakhom’s servant . . . dug his master a grave—just as long and as wide as Pakhom’s body where it lay upon the earth.” As an adaptation, the story cuts much from the original that lends it psychological and political depth, notably the involvement of the Devil in Pakhom’s lust for land and Pakhom’s relationships with various local Communes and landlords. Kiev-based Abesinova’s illustrations are humorous and highly detailed, cramming every possible element into richly colored, flat tableaux. Although they are entirely pleasing of themselves, they do little to extend the story of a man who is so driven to own land that he literally walks himself to death. For more psychologically satisfying treatments of the same theme, stick to the aforementioned folktales. There are no translation/abridgment/adaptation credits; however, a biographical note on Tolstoy follows the text. (Picture book. 6-8)

Pub Date: Nov. 1, 2001

ISBN: 1-56656-407-7

Page Count: 32

Publisher: Crocodile/Interlink

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2001

Categories:

CHILDREN'S ACTION & ADVENTURE FICTION

- BOOK REVIEW
PHILIPOK
by Leo Tolstoy & adapted by Ann Keay Beneduce & illustrated by Gennady Spirin

bookshelf

HOW I BECAME A PIRATE

by Melinda Long & illustrated by David Shannon ‧ RELEASE DATE: Sept. 1, 2003

bookshelf

Thanks to parrot-toting Braidbeard and his gloriously disreputable crew, a lad discovers the ups and downs of a pirate’s life in this rousing mini-epic. His mom and dad busy on another part of the beach, young Jeremy happily joins a band of hook-handed, eye-patched, snaggle-toothed pirates aboard their ship, learning pirate table manners (none), enjoying a game of nautical soccer until a shark eats the ball, then happily retiring without having to brush teeth, or even don pajamas. But then Jeremy learns that pirates don’t get tucked in, or get bedtime stories, and as for good night kisses—Avast! Worse yet, no one offers comfort when a storm hits. So, giving over the pirate’s life, Jeremy shows the crew where to bury its treasure (his backyard), and bids them goodbye. Shannon outfits Braidbeard’s leering, pop-eyed lot in ragged but colorful pirate dress, and gives his young ruffian-in-training a belt and bandanna to match. This isn’t likely to turn pirate wannabees into landlubbers, but it will inspire a chorus of yo-ho-hos. (Picture book. 6-8)

Pub Date: Sept. 1, 2003

ISBN: 0-15-201848-4

Page Count: 44

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2003

Categories:

CHILDREN'S ACTION & ADVENTURE FICTION

- BOOK REVIEW
THE CASE OF THE SLIDING SPACESHIP
by Melinda Long ; illustrated by Monica Wyrick

- BOOK REVIEW
HOW I BECAME A PIRATE
by Melinda Long & illustrated by David Shannon & developed by Oceanhouse Media

- BOOK REVIEW
PIRATES DON’T CHANGE DIAPERS
by Melinda Long & illustrated by David Shannon

bookshelf

ZATHURA

by Chris Van Allsburg & illustrated by Chris Van Allsburg ‧ RELEASE DATE: Oct. 28, 2002

bookshelf

A trite, knock-off sequel to Jumanji (1981). The “Jumanji” box distracts Walter Budwing away from beating up on his little brother Danny, but it’s Danny who discovers the Zathura board inside—and in no time, Earth is far behind, a meteor has smashed through the roof, and a reptilian Zyborg pirate is crawling through the hole. Each throw of the dice brings an ominous new development, portrayed in grainy, penciled freeze frames featuring sculptured-looking figures in constricted, almost claustrophobic settings. The angles of view are, as always, wonderfully dramatic, but not only is much of the finer detail that contributed to Jumanji’s astonishing realism missing, the spectacular damage being done to the Budwings’ house as the game progresses is, by and large, only glimpsed around the picture edges. Naturally, having had his bacon repeatedly saved by his younger sibling’s quick thinking, once Walter falls through a black hole to a time preceding the game’s start, his attitude toward Danny undergoes a sudden, radical transformation. Van Allsburg’s imagination usually soars right along with his accomplished art—but here, both are just running in place. (Picture book. 6-8)