Significant historical acts and events are here put into unique perspective by a participant.
A posthumous Holocaust memoir from the youngest person on Oskar Schindler’s list.
Completed before his death in January 2013, Leyson’s narrative opens with glowing but not falsely idyllic childhood memories of growing up surrounded by friends and relatives in the Polish village of Narewka and then the less intimate but still, to him, marvelous city of Kraków. The Nazi occupation brought waves of persecution and forced removals to first a ghetto and then a labor camp—but since his father, a machinist, worked at the enamelware factory that Schindler opportunistically bought, 14-year-old “Leib” (who was so short he had to stand on the titular box to work), his mother and two of his four older siblings were eventually brought into the fold. Along with harrowing but not lurid accounts of extreme privation and casual brutality, the author recalls encounters with the quietly kind and heroic Schindler on the way to the war’s end, years spent at a displaced-persons facility in Germany and, at last, emigration to the United States. Leyson tacks just a quick sketch of his adult life and career onto the end and closes by explaining how he came to break his long silence about his experiences. Family photos (and a picture of the famous list with the author’s name highlighted) add further personal touches to this vivid, dramatic account.
Significant historical acts and events are here put into unique perspective by a participant. (Memoir. 11-14)Pub Date: Aug. 27, 2013
ISBN: 978-1-4424-9781-8
Page Count: 240
Publisher: Atheneum
Review Posted Online: July 6, 2013
Kirkus Reviews Issue: Aug. 1, 2013
If Freedman wrote the history textbooks, we would have many more historians. Beginning with an engrossing description of the Boston Tea Party in 1773, he brings the reader the lives of the American colonists and the events leading up to the break with England. The narrative approach to history reads like a good story, yet Freedman tucks in the data that give depth to it. The inclusion of all the people who lived during those times and the roles they played, whether small or large are acknowledged with dignity. The story moves backwards from the Boston Tea Party to the beginning of the European settlement of what they called the New World, and then proceeds chronologically to the signing of the Declaration. “Your Rights and Mine” traces the influence of the document from its inception to the present ending with Martin Luther King and the Civil Rights movement of the 1960s. The full text of the Declaration and a reproduction of the original are included. A chronology of events and an index are helpful to the young researcher. Another interesting feature is “Visiting the Declaration of Independence.” It contains a short review of what happened to the document in the years after it was written, a useful Web site, and a description of how it is displayed and protected today at the National Archives building in Washington, D.C. Illustrations from the period add interest and detail. An excellent addition to the American history collection and an engrossing read. (Nonfiction. 9-13)
Pub Date: Oct. 1, 2000
ISBN: 0-8234-1448-5
Page Count: 112
Publisher: Holiday House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 2000
Logically pointing out that the American cowboy archetype didn’t spring up from nowhere, Sandler, author of Cowboys (1994) and other volumes in the superficial, if luxuriously illustrated, “Library of Congress Book” series, looks back over 400 years of cattle tending in North America. His coverage ranges from the livestock carried on Columbus’s second voyage to today’s herding-by-helicopter operations. Here, too, the generous array of dramatic early prints, paintings, and photos are more likely to capture readers’ imaginations than the generality-ridden text. But among his vague comments about the characters, values, and culture passed by Mexican vaqueros to later arrivals from the Eastern US, Sadler intersperses nods to the gauchos, llaneros, and other South American “cowmen,” plus the paniolos of Hawaii, and the renowned African-American cowboys. He also decries the role film and popular literature have played in suppressing the vaqueros’ place in the history of the American West. He tackles an uncommon topic, and will broaden the historical perspective of many young cowboy fans, but his glance at modern vaqueros seems to stop at this country’s borders. Young readers will get a far more detailed, vivid picture of vaquero life and work from the cowboy classics in his annotated bibliography. (Notes, glossary, index) (Nonfiction. 10-12)
Pub Date: Jan. 15, 2001
ISBN: 0-8050-6019-7
Page Count: 116
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2000
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