Goldberg, a clinical professor at UCLA Medical Center, has the expertise to provide an exciting medical thriller. This...
An emergency-room doctor must use all his considerable skills to save the president and the nation from disaster.
Dr. David Ballineau is called back to the hospital when a large group of people, including the president and his family, are taken to the ER with what appears to be severe food poisoning after a dinner for the Russian president. When the Secret Service demands a secure private area for the dignitaries, they are taken to the ritzy Beaumont Pavilion, and almost all the other patients are moved to other areas. David, the president’s doctor, and experienced nurse Carolyn Ross quickly realize that the president’s excessive bleeding is due to something more than poison. As they struggle to contain the bleeding while waiting for the arrival of the president’s rare blood type and plasma, the Pavilion is suddenly seized by Chechen terrorists who murder all the security agents and announce they are holding the world leaders as hostages for the release of their fellow terrorists. David, who had been in the special forces, hides in the ceiling spaces and drops notes of medical advice to Carolyn, who is stretched to the limit trying to help the president and the other ill patients without new supplies. David uses his cell phone to keep the Secret Service up to date while the vice president and her team struggle to come up with a rescue plan. David and Carolyn play cat-and-mouse with the cold-blooded terrorists, who are willing to kill anyone but the president to achieve their ends. Even after David is wounded and captured, he continues his desperate attempts to thwart the terrorist plot.
Goldberg, a clinical professor at UCLA Medical Center, has the expertise to provide an exciting medical thriller. This fast-paced departure from his Joanna Blalock series (Lethal Measures, 2000, etc.) provides all the excitement, intrigue and danger you could ask for.Pub Date: May 8, 2012
ISBN: 978-0-7387-3046-2
Page Count: 384
Publisher: Midnight Ink/Llewellyn
Review Posted Online: March 4, 2012
Kirkus Reviews Issue: March 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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