The authors revisit an old subject to shed belated tears for an honorable notion. Unfortunately, much of their talk about busing, white flight, and even affirmative action seems familiar to the point of staleness—familiar because the authors, both professors of communication at American University, haven—t extended their fact-gathering much beyond recycled 1960s periodical data. So why, according to Steinhorn and Diggs-Brown, hasn—t integration lived up to its promise? As they tell it, the source of the problem lies with American conventional wisdom on the subject: After legislation passed in the 1960s outlawing discrimination and segregation, most people seem to believe that racism can no longer exist. That conviction, contend Steinhorn and Diggs-Brown, is only (and ironically) bolstered by the prominence and influence of Colin Powell, Michael Jordan, Bill Cosby, Oprah Winfrey, and hundreds of other powerful African-Americans. As these observations indicate, much of the book relies less on original research or insight than on bromide and truism. Cited as an example of how we fool ourselves over integration’s failure, for instance, is the Motown Sound played throughout the movie The Big Chill. As the authors conclude triumphantly, whites in real life listen to entirely different radio stations than blacks. Rather than investigate the phenomenon known as “wiggers”—young whites who hang out with blacks—Steinhorn and Diggs-Brown accept the traditional putdown that these youngsters are mere wannabes. Statistics are duly presented to show that hardly five percent of American communities enjoy enough of a racial mix to be considered integrated today. Still, the authors take solace from the fact that communities like Shaker Heights, Ohio, provide proof that integration can indeed work. Integration may have failed, for the most part. But Steinhorn and Diggs-Brown don—t bring us any closer to understanding why. (Author tour)
Pub Date: Jan. 4, 1999
ISBN: 0-525-94359-5
Page Count: 320
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1998
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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