A historically valuable, well-written, and unrelentingly bleak read.
A grim, gritty historical novel set in and around Arkansas’ Indian Territory during the last decade of the 19th century.
Gaiter (Whites Shackled Themselves to Race and Blacks Have Yet to Free Ourselves, 2017, etc.) revisits the story of the brutal Rufus Buck Gang—a collection of Native American, mixed heritage, and black teenage boys seeking personal glory and revenge for the mistreatment of Native Americans. The gang has just been captured after two weeks of rape, murder, and torture. The townsfolk of Okmulgee want immediate vengeance, but the boys are taken to Fort Smith, Arkansas, where they will be tried in front of Judge Isaac Parker. Parker will go down in history as “The Hanging Judge,” and this will be his last trial. He is sick and tormented by what he perceives as his failure to “civilize” the territory. He also knows he is partially responsible for enabling a meeting between the young Rufus Buck and Buck’s idol, “Cherokee Bill,” a Native American outlaw sentenced to death. Rufus spent his adolescence reading dime-store novels about Bill’s exploits. The narrative winds its way back and forth, giving some backstory about each of the gang members, with most of the attention devoted to Rufus, the delusional leader. Gaiter adroitly intertwines the personal stories of Rufus and his cohorts with the larger narrative of the cruelty perpetrated against Native Americans. Rufus is scarred by his father’s disillusionment after he watched the Cherokees sell off their land, and their heritage, in exchange for small individual payouts and worthless promises: “To Buck, that was like buying a house and splitting the money evenly between the man, his wife, and each child and telling them all to go their separate ways.” He knew the same would happen to the Creeks. Skillful prose depicts white Americans’ pervasive bigotry and the methodical destruction of Indian sovereignty. Unfortunately, the novel contains not a single likable central protagonist.
A historically valuable, well-written, and unrelentingly bleak read.Pub Date: Aug. 5, 2011
ISBN: 978-0-615-49010-6
Page Count: 288
Publisher: Legba Books
Review Posted Online: March 2, 2018
Kirkus Reviews Issue: April 15, 2018
Review Program: Kirkus Indie
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Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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BOOK REVIEW
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