by Les Standiford ‧ RELEASE DATE: June 15, 2021
Fans of the circuses of old, as well as students of popular culture, will enjoy this look back.
A blow-by-blow account of the rivalry among James Bailey, John Ringling, P.T. Barnum, and other players in the American circus world.
“When entertaining the public, it is best to have an elephant,” said Barnum, who knew a thing or two about wowing the public. Captive elephants were at the center of his extravaganzas, as they were of other circuses until, in 2015, the last of the 19th-century organizations struck the tent after animal rights activists succeeded in delivering the elephants from bondage. That last firm, as popular historian Standiford chronicles, was Ringling Brothers, whose namesakes were long gone. A former rock ’n’ roll entrepreneur named Kenneth Feld now headed the company, his head stocked with hard data on every playable venue on the continent. Bailey, whose rival circus was pleasing audiences in the late 19th century, made headlines when an elephant in his troupe gave birth, “the calf described as the first ever born in captivity in the United States.” Barnum offered “the then-astronomical sum of $100,000 for the calf; when Bailey refused, his admiring rival offered a partnership instead, giving birth to what would become the Barnum and Bailey consortium. Standiford is a capable ringmaster over a complicated tale with many moving parts. As he notes, getting a circus before the public required “the seamless integration of five business endeavors running side by side,” from railroads to hotels to “the entertainment business itself, the only one of which produced any income.” Standiford’s narrative lacks the intellectual heft of Louis S. Warren’s Buffalo Bill’s America (2005) as a study of evolving tastes in popular pastimes, but he tells a good story all the same and with a sobering moral: The circus probably wouldn’t survive today now that, as one scholar puts it, “the trend in technology in recent years has been to push individuals into greater and greater electronic isolation.”
Fans of the circuses of old, as well as students of popular culture, will enjoy this look back.Pub Date: June 15, 2021
ISBN: 978-1-5417-6228-2
Page Count: 272
Publisher: PublicAffairs
Review Posted Online: March 29, 2021
Kirkus Reviews Issue: April 15, 2021
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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