by Les Standiford ‧ RELEASE DATE: May 1, 2008
A nice complement to Fergus M. Bordewich’s broader survey, Washington: The Making of the American Capital (2008), offering a...
Novelist and accomplished armchair historian Standiford (Writing/Florida International Univ.; Meet You in Hell: Andrew Carnegie, Henry Clay Frick, and the Bitter Partnership That Transformed America, 2005, etc.) gives a sprightly account of Washington, D.C.’s improbable genesis and survival.
The author frames his account with the sack of the brand-new Federal City on August 24, 1814. The British army was prompted by “the intent of teaching the upstart Americans a lesson in ‘hard war’ and reducing their capital to ashes,” he writes. President James Madison would never again inhabit the White House, and a divided Congress voted against the government’s relocation to Philadelphia; rebuilding the devastated capital became a priority. After sketching these events, Standiford returns to the beginning, dwelling at length on the states’ squabbles over where the nation’s capital should be situated. French architect and Revolutionary War veteran Peter Charles L’Enfant, fresh from his success remodeling New York’s City Hall into a Federal Hall, was enthusiastically endorsed by President Washington and others for the planning of a magnificent Federal City to rise out of the swampy wilderness along the Potomac River. L’Enfant envisioned a design that would “give an idea of the greatness of the empire,” allowing dramatic vistas for the appreciation of majestic public buildings and emphasizing the natural beauty of the land as well. However, after his power struggles with the district commissioners came to a head in 1792, he was replaced by successors who came and went through a revolving door, and Washington’s retirement and subsequent death deflated the enthusiasm for the capital’s construction. (L’Enfant spent the rest of his days in hopeless litigation to get remuneration for his work.) The British attack of 1814 was a wake-up call for the fledging nation, which had grown complacent, and Standiford does a fine job bringing to life the urgency of events.
A nice complement to Fergus M. Bordewich’s broader survey, Washington: The Making of the American Capital (2008), offering a more intimate look at L’Enfant and the crisis provoked by the British.Pub Date: May 1, 2008
ISBN: 978-0-307-34644-5
Page Count: 368
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2008
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edited by Les Standiford
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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