Readers don’t need to have been recently emancipated to understand this eloquent testament to the overriding importance of...
Emancipation means education.
A little girl narrates her family’s story in the days and months immediately after the end of slavery. Her parents decide that she and her brother must attend school in spite of the dangers they face walking there. The school does not have very much in the way of supplies or heat, but it does have a teacher “with skin as brown as mine,” says the girl. Students come and go depending on when they are needed in the field. Then racism strikes, and the school burns down. Still, the community spirit is strong, and the African-American neighbors come together to rebuild. Cline-Ransome does not give a specific locale for the story, thus making it representative of much of the rural South after the Civil War. Telling the story in the voice of a child helps to make the story more immediate and should help young readers appreciate the difficulties involved in building, maintaining and attending school. Ransome’s watercolor paintings are richly evocative of the seasons while also creating memorable characters and emotions. The endpapers depicting a blackboard with upper- and lowercase letters written in chalk are a child-friendly touch.
Readers don’t need to have been recently emancipated to understand this eloquent testament to the overriding importance of school. (Picture book. 4-7)Pub Date: Jan. 13, 2015
ISBN: 978-1-4231-6103-5
Page Count: 32
Publisher: Disney-Jump at the Sun
Review Posted Online: Oct. 14, 2014
Kirkus Reviews Issue: Nov. 1, 2014
A historically specific setting with an eternal lesson.
A child’s special treat is given to a man in need, setting off a chain reaction of kindness.
It is a regular day on Tai Yuen Street in Hong Kong, full of “beeping, bickering, and bartering,” as a child’s parents set up their hawker stand. Suddenly, the usual bustle is interrupted by a THWUMP! as a man who has traveled “a thousand miles” by foot and boat to cross the border into Hong Kong falls to his knees. Bystanders turn away, “uninterested in hearing their own stories retold to them.” However, the protagonist’s mother hears the grumbles of the man’s stomach, and her kids watch horror-struck as she pulls out the special mooncake they were saving—the kind with the double-yolk center (“the best kind!”)—and asks the narrator to bring it to the hungry man. It takes two pages to slowly and sadly walk the treat over and only one gulp for the man to devour the entire cake. However, this single act of kindness unleashes a torrent of generosity from the nearby hawkers. Sepia and cool colors give this tale a historical feel, while delicate cartoon renderings of the bustling market street and crowds of people lighten the tone. In the backmatter, AuYeung notes that this story was based on an incident from her childhood, explains the historical significance of the refugee’s flight to Hong Kong, and shares family photos. (This book was reviewed digitally.)
A historically specific setting with an eternal lesson. (Picture book. 4-7)Pub Date: Sept. 6, 2022
ISBN: 978-1-64567-556-3
Page Count: 32
Publisher: Page Street
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
This reimagined telling has an engaging charm that rings true.
An imagining of an unlikely real-life episode in the life of absurdist Franz Kafka.
Theule follows the outline of the account: When Kafka meets an unhappy girl in a Berlin park in 1923 and learns her doll is lost, Kafka writes a series of letters from Soupsy, the doll, to Irma, the girl. The real letters and the girl’s identity have been lost to history; the invented letters describe a dazzling variety of adventures for Soupsy. Unfortunately, as the letters increase in excitement, Kafka’s health declines (he would die of tuberculosis in June 1924), and he must find a way to end Soupsy’s adventures in a positive way. In an author’s note, readers learn that Kafka chose to write that Soupsy was getting married. Theule instead opts to send the doll on an Antarctic expedition. Irma gets the message that she can do anything, and the final image shows her riding a camel, a copy of Metamorphosis peeking from a satchel. While kids may not care about Kafka, the short relationship between the writer and the little girl will keep their interest. Realizing that an adult can care so much about a child met in the park is empowering. The stylized illustrations, especially those set in the chilly Berlin fall, resemble woodcuts with a German expressionist look. The doll’s adventures look a little sweeter, with more red and blue added to the brown palette of the German scenes. (This book was reviewed digitally with 10.5-by-17-inch double-page spreads viewed at 23% of actual size.)
This reimagined telling has an engaging charm that rings true. (biographical note, bibliography) (Picture book. 5-7)Pub Date: March 9, 2021
ISBN: 978-0-593-11632-6
Page Count: 48
Publisher: Viking
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
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