Rich illustrations and a rhyming text create a puzzle for each letter of the alphabet, inviting a young reader to guess what word the letter might represent. Warm-hearted and generous-spirited paintings provide visual answers. The answers are also found in a key at the end. Objects as American as Apples and Pie are utilized and the theme of Quilts sews it all together. A crazy-quilt pattern decorates the endpapers, each uppercase letter of the alphabet is framed as in the square of a quilt, and many of the illustrations are framed as well. With few exceptions, the objects are tangible, and within the experience of pre-schoolers. The few intangibles (Night, Yellow) are unexpected and therefore more difficult to guess. The oversized format and lush illustrations are strongly appealing; color in all of the paintings is rich and saturated. Painterly brush strokes add depth and elegance to the folksy style. Excellent book design features each letter and text in a way that is easy to see without interfering with the illustrations. The weakest element is the rhyming text. Although the clues are generally good, the rhymes are weakened by cliché. At worst, they suggest advertising copy, as for Apples: “Nature’s handpicked treat / Wholesome goodness to the core.” Some are simply confusing, as the tea Kettle “Captures the cold under its lid / And warms you through and through.” Nonetheless, the graphic appeal is so strong that youngsters in groups or on their own should be drawn to the pictures and to guessing the names of the objects. (Picture book. 3-6)
Pub Date: Sept. 15, 2001
ISBN: 0-8234-1453-1
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2001
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
Fun enough to read once but without enough substance to last.
Familiar crayon characters argue over which color is the essential Christmas color.
Green starts by saying that green is for Christmas. After all, green is for holly. But Red objects. Red is for candy canes. Green is for fir trees, Green retorts. But Red is for Santa Claus, who agrees. (Santa is depicted as a white-bearded White man.) Then White joins the fray. After spending the year being invisible, White isn’t giving up the distinction of association with Christmas. Snow, anyone? But then there’s Silver: stars and bells. And Brown: cookies and reindeer! At this point, everyone is confused. But they come together and agree that Christmas wouldn’t be Christmas without all of them together. Someone may get the last word, though. In Daywalt and Jeffers’ now-signature style, the crayon-written text is spare and humorous, while the crayon characters engage with each other against a bare white background, vying for attention. Dot-eyed faces and stick legs on each object turn them all into comical, if similar, personalities. But the series’ original cleverness is absent here, leaving readers with a perfunctory recitation of attributes. Fans of the crayon books may delight in another themed installment; those who aren’t already fans will likely find it lacking. (This book was reviewed digitally.)
Fun enough to read once but without enough substance to last. (Picture book. 3-6)Pub Date: Oct. 19, 2021
ISBN: 978-0-593-35338-7
Page Count: 32
Publisher: Philomel
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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