Newman’s latest recalls the Charlotte Zolotow classic William’s Doll. Here, however, Newman shifts perspective, centering her story on a girl, Ruthie, and her grandmother, who tries to get her fire-truck-and-motorcycle-loving granddaughter excited about dolls and dress-up. In Moore’s watercolor vignettes and framed panels, readers see Ruthie’s dilemma—Nana hugs her old dolls while Ruthie puts them in a box that she pushes around like a passenger train; Nana dons heels, a hat and a feather boa while Ruthie turns a beret into a conductor’s cap. Thankfully, Nana eventually opens her eyes, realizing that, although she and Ruthie enjoy different activities, they can still have fun together. Like Zolotow’s William, Newman’s heroine remains true to herself, bolstered by the enduring love of family. A good choice for challenging gender stereotypes and creating a culture of acceptance. (Picture book. 4-8)