by Lesley Hazleton ‧ RELEASE DATE: March 1, 2004
Sure to kick up some biblical dust: a graphic, instructional story unlikely to receive the Church’s imprimatur.
A knowledgeable journalist profiles history’s most renowned Jewish mother, tracing a life barely touched upon in the gospels.
From the beginning, Hazelton (Driving to Detroit, 1998, etc.) asks for trouble. Her first words describe a pregnant, 13-year-old peasant girl clad in a torn linen shift, “short and wiry, with dark olive skin.” Maryam—her true name, the author asserts—probably never resided in the Temple, but she was instructed in the healing arts by her grandmother, a Wise Woman called Salome. (Hazleton takes it as a fair supposition that Maryam passed those arts to her son.) Gingerly approaching the central matter of the Virgin Birth, the author reviews the state of gynecology, the practice of contraception, and the mechanics of parturition 2,000 years ago. Was the doctrine of virginity simply a mistranslation of Matthew’s Septuagint? She thinks not, explaining the conception as a paradoxical mystery of religion, not physical fact. Hazleton skips the annunciation, skirts Matthew’s hint that Jesus may have had siblings, and suggests that Joseph probably acquired his role as Maryam’s consort and the physical dad in order to provide a Davidian lineage for Jesus. From his birth, the text quickly shifts to Maryam at his crucifixion, complete with all the grisly details about that form of execution. Thence to the burial and the resurrection, which “only makes sense on another level of knowledge, one that supersedes the factual.” The facts, however, remain fascinating, while the novelistic suppositions are pure dramaturgy, as uncanonical as the Sibylline Oracles. The biography takes a decided feminist turn as Hazleton ascribes the new religion’s establishment to the women who followed the son of Maryam. This Mary isn’t the blue-robed icon painted by Fra Angelico or the young mother carved by Michelangelo, but throughout it all, Maryam remains full of grace.
Sure to kick up some biblical dust: a graphic, instructional story unlikely to receive the Church’s imprimatur.Pub Date: March 1, 2004
ISBN: 1-58234-236-9
Page Count: 288
Publisher: Bloomsbury
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 2004
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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