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TOMORROW RIVER

Shenny starts her narration by warning that first impressions “can be dead wrong,” but there’s never a question as to who’s...

In Kagen’s hardcover debut (Land of a Hundred Wonders, 2008), a young Virginia girl puzzles over her mother’s disappearance.  

It is 1969, shortly before the moon landing and one year since Shenny’s mother Evie, an educated, liberal Yankee whom Shenny’s father married against his family’s wishes, disappeared. Shenny’s twin sister Woody—the girls are 11 when the story opens—has stopped speaking and their father Walter, a respected judge from the influential Carmody family, has become a raving drunk who locks the girls in the root cellar overnight when they disobey his orders to stay home in order to avoid communication with anyone outside the family. Tomboy Shenny and increasingly fragile Woody disobey frequently, visiting the friends Evie cultivated behind her husband’s back as their marriage soured. The girls are especially fond of Beezy, an elderly black woman who was once a Carmody servant, and her handsome, blue-eyed son Sam, who used to be a police detective in Illinois before he came home to run a gas station. Since no body or clues have been found, the local sheriff investigating Evie’s disappearance seems to have hit a dead end. Shenny starts her own investigation with no better luck. Her acuity is questionable. Although she claims to be surprised by her father’s transformation from loving to abusive father, she was aware of the troubles in her parents’ marriage which involved Walter’s attempts to bully Evie the same way his father and brother bully all the women in their lives. The Carmody men are cartoonishly evil—rich, misogynistic, predatory and racist—while Shenny’s Carmody grandmother is a Catholic religious fanatic. Although Kagen makes references to cultural touchstones like Vietnam and the moon landing, her version of 1969 Virginia veers from anachronistically innocent to anachronistically backward. And Shenny’s determined pluck seems both too innocently young and too precocious to coalesce into a believable 12-year-old.

Shenny starts her narration by warning that first impressions “can be dead wrong,” but there’s never a question as to who’s good or bad in her story.

Pub Date: April 1, 2010

ISBN: 978-0-525-95154-4

Page Count: 352

Publisher: Dutton

Review Posted Online: Oct. 5, 2010

Kirkus Reviews Issue: Feb. 15, 2010

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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