Entertaining, femalecentric, escapist reading for poolside.
In this sci-fi novel, a revolutionary new technology has unforeseen consequences as a young scientist creates a “quantum” computer that endows her with unusually good luck.
To earn her master’s degree, youthful Ella Hote, a researcher in the U.S. heartland, has built a suitcase-sized quantum computer. This heavy-duty calculating machine features microchips that, at the subatomic level, can occupy exponential states of being, not just the usual ones or zeroes. But there seems to be a macrocosmic side effect to the quantum components of the computer. When it is switched on and made to calculate, incidents befall Ella that seem especially well-timed and fortuitous—fluky hookups with handsome guys, a job offer, a casino jackpot, and a rainstorm ending a drought. But Ella notices that with each windfall for her comes bad fortune for somebody else—even injury and death at the casino (At one point, she reflects: “I might have been sort of lucky. It seems like people near me might be sort of unlucky”). Ella eventually theorizes that “luck” in the universe must be balanced out like any other force and that a q-computer in the wrong hands could spell disaster. And straightaway, hers gets stolen. If you use Carl Sagan as the benchmark of a scientist-turned–sci-fi author, then real-life physicist Smith (Reality Alternatives, 2016, etc.) might rate somewhat at the light-element end of the periodic table. Still, her novels and series that riff on quantum mechanics and Erwin Schrödinger strangeness are fun little mind tricks and thought experiments, part George Gamow at his more fanciful crossed with chick lit. Smith’s latest offering might be compared to a Rod Serling teleplay except it isn’t even that edgy. A good chunk of the seriocomic narrative takes place in gambling and card-playing milieus (there is only one passage of scientific jargon, plus a short nonfiction essay on principles of quantum computing at the end). But the material is more on the easygoing side of the spectrum rather than a thriller. The wrap-up suggests a variation on It’s a Wonderful Life with quantum mechanics replacing Clarence the angel.
Entertaining, femalecentric, escapist reading for poolside.Pub Date: June 14, 2017
ISBN: 978-0-9973131-4-7
Page Count: 334
Publisher: Quarky Media
Review Posted Online: Dec. 10, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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