A light sci-fi romance, apt reading material for watching the waves (or particles) at the beach.
A Colorado university physicist learns she can warp reality with mind power alone, but when news of her talent leaks, a rash of “quantum crimes” hits Boulder and beyond.
Smith (Kat Cubed, 2016, etc.) announces the creation of a new sci-fi series with this takeoff on the notion that at the minuscule, quantum-physics level, an elementary piece of matter could either be a particle or a wave, open to the influence of an outside observer. What if that either/or quality of reality persisted on the macroscopic scale? In Boulder, Madison Martin, a young, newly arrived university physicist, impulsively avoids becoming roadkill in a car mishap by choosing a quantum outcome in which she wasn’t struck at all. To bystanders, the injured Madison simply blurs away and an untouched one appears among them. Madison never knew she possessed this ability. Lab tests determine it is (somewhat) reproducible and (somewhat) controllable—the somewhats contingent on the heroine’s mood and especially the presence of hunky fellow faculty member Andro Rivas, a distraction from Madison’s failing long-distance relationship with a boyfriend back East. At one point, her quantum concentration (“q-collapse”) creates a large, very symbolic opening in the cinder block wall to Andro’s office, making him a believer. But q-collapse can be wielded by anyone with training and physics moxie; soon Madison’s amoral students, having posted the secret online, are carving holes in bank vaults and otherwise perpetuating “quantum crimes” in Boulder and elsewhere. Incidental dialogue hangs a “quantum cop” tag on Madison (even though it’s her cousin who has the campus security job) as she and Andro fight the callow villains with energy bolts, teleportation, and telekinesis—all godlike stuff deftly explained as extrapolations of the quantum flux, including having boxed condoms materialize for a romantic interlude. Smith is a scientist (and sci-fi editor) and follows up the breezy narrative with a quick quantum mechanics essay. While it may seem stereotypical to spectral-analyze this lively novel as chick lit, there are indeed all the trace elements of the genre, including a college-science environment where nearly everybody is young and hot (just one humorless, gray-haired department chair) and game for making clothes dematerialize. Smith name-checks Arthur C. Clarke, whose Tales from the White Hart collection had similar playful takes on science but starred old, male fuddy-duddies.
A light sci-fi romance, apt reading material for watching the waves (or particles) at the beach.Pub Date: May 15, 2016
ISBN: 978-0-9861350-2-6
Page Count: 286
Publisher: Quarky Media
Review Posted Online: Nov. 12, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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