by Leslie Johansen Nack ‧ RELEASE DATE: May 3, 2022
A detailed, moving portrait of a complex woman in a complex life.
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The long affair between William Randolph Hearst and Marion Davies was news fodder for much of the 20th century. In Nack’s novel, Marion tells her side.
That story is very well known. William Randolph Hearst was a legendary publishing baron; Marion Davies (nee Douras) came from a middle-class but aspiring family in Brooklyn. Marion’s mother’s mission in life was to see that all four of her daughters married well. Marion exceeded Mama’s wildest expectations but for one small hitch: The man she partnered with was already married. WR’s wife would never agree to a divorce, but while Marion sometimes cheated on WR, in a deeper sense, she was faithful to him to the end (he died in 1951, she 10 years later). We revisit the highlights: her off and on affair with Charlie Chaplin; the mysterious death of Thomas Ince on the aborted cruise to Catalina; her pregnancy and the coverup; and the bombshell that was Citizen Kane. Nack wisely chooses Marion as the narrator, the voice. And her voice is true. She often sounds ditzy, but she really isn’t. She is ambitious and insightful (and, we learn, a very good comic actress) and really loves WR, as frustrating as that so often is. Hearst was born in 1863, so he is more a product of the 19th century than the 20th, and he views Marion as his creature and he as her protector, which of course infuriates her. And as an undercurrent, there is the truly jaw-dropping wealth—the mansions and retreats, the private train cars, the unending parties, the drinking and drugs (Marion was clearly an alcoholic), and the shopping sprees (WR can express his love only through things, from huge bouquets to diamonds). WR loves Marion deeply, but, a man of the 19th century, he is clueless as he patronizes her again and again and sends goons to spy on her. But the mistress—in both senses—of San Simeon was his comfort to the end.
A detailed, moving portrait of a complex woman in a complex life.Pub Date: May 3, 2022
ISBN: 978-1-64742-347-6
Page Count: 248
Publisher: She Writes Press
Review Posted Online: Oct. 13, 2021
Review Program: Kirkus Indie
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by Colleen Hoover ‧ RELEASE DATE: Oct. 18, 2022
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
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New York Times Bestseller
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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SEEN & HEARD
SEEN & HEARD
by Thea Guanzon ‧ RELEASE DATE: Oct. 3, 2023
Slow and plodding.
A young woman with a magical ability to harness light discovers she is royalty.
Talasyn is a foot soldier for her homeland of Sardovia, which has been under attack for the past decade by the powerful and evil Night Empire, a conflict known as the Hurricane Wars. Talasyn is an orphan with no knowledge of her family, but she assumes they might be the source of her rare, magical Lightweaving talent. During a battle with the forces of the Night Empire, Talasyn spars with Prince Alaric, a fierce warrior who is the son and heir to the Night Emperor. Talasyn is sent on a covert mission into Nenavar, a nearby matriarchy that has remained neutral during the Hurricane Wars, to try to access a Light Sever which could hone and refine her magic. Instead, she discovers she is the heir to their royal throne; she and her mother, now presumed dead, disappeared under mysterious circumstances when she was a year old. Alaric follows her into Nenavar, and they discover his magical ability to cast darkness and shadows produces shocking results when mixed with her Lightweaving. A few weeks later, the Night Empire defeats Sardovia and ends the Hurricane Wars, and the novel transitions to a tedious, slow-moving story of court intrigue and diplomacy. A group of Sardovian soldiers and refugees seek asylum in Nenavar, but Talasyn’s grandmother agrees to protect them only if Talasyn agrees to join the royal court and marry Alaric. The politics surrounding the impending wedding is the primary plot for the rest of the novel, and it’s a slog. The glacially slow pacing only serves to highlight the confusing world building and underdeveloped characters. It’s unclear why Alaric and Talasyn are attracted to each other, and their tentative romance is just as stuck in a rut as the plot.
Slow and plodding.Pub Date: Oct. 3, 2023
ISBN: 9780063277274
Page Count: 480
Publisher: Harper Voyager
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
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