THE BLUE BUTTERFLY

The long affair between William Randolph Hearst and Marion Davies was news fodder for much of the 20th century. In Nack’s novel, Marion tells her side.

That story is very well known. William Randolph Hearst was a legendary publishing baron; Marion Davies (nee Douras) came from a middle-class but aspiring family in Brooklyn. Marion’s mother’s mission in life was to see that all four of her daughters married well. Marion exceeded Mama’s wildest expectations but for one small hitch: The man she partnered with was already married. WR’s wife would never agree to a divorce, but while Marion sometimes cheated on WR, in a deeper sense, she was faithful to him to the end (he died in 1951, she 10 years later). We revisit the highlights: her off and on affair with Charlie Chaplin; the mysterious death of Thomas Ince on the aborted cruise to Catalina; her pregnancy and the coverup; and the bombshell that was Citizen Kane. Nack wisely chooses Marion as the narrator, the voice. And her voice is true. She often sounds ditzy, but she really isn’t. She is ambitious and insightful (and, we learn, a very good comic actress) and really loves WR, as frustrating as that so often is. Hearst was born in 1863, so he is more a product of the 19th century than the 20th, and he views Marion as his creature and he as her protector, which of course infuriates her. And as an undercurrent, there is the truly jaw-dropping wealth—the mansions and retreats, the private train cars, the unending parties, the drinking and drugs (Marion was clearly an alcoholic), and the shopping sprees (WR can express his love only through things, from huge bouquets to diamonds). WR loves Marion deeply, but, a man of the 19th century, he is clueless as he patronizes her again and again and sends goons to spy on her. But the mistress—in both senses—of San Simeon was his comfort to the end.

A detailed, moving portrait of a complex woman in a complex life.