by Leslie Lee ‧ RELEASE DATE: Feb. 8, 2022
A thoughtful reminiscence best suited to an audience of the author’s family and friends.
Lee chronicles multiple trips she took to Scotland and Ireland and offers tips to travelers.
The author visited Scotland and Ireland several times—she recounts four trips to Scotland and one to Ireland between 2003 and 2018—with family and friends. Her preparations for these excursions are thorough and sometimes fascinating. She regales the reader not only with accounts of the countries’ folklore, mythology, and cultural mores, but also with detailed accounts of their histories, including the archaeological evidence of their prehistorical topography and inhabitants. In anticipation of her trip to Scotland in 2008, she “created illustrated charts, maps, and a timeline of history for a pocket-sized, spiral-bound, hand-written study guide for each of the travelers.” The reader interested in duplicating her travels will likely benefit from her notable meticulousness—the book includes not only a day-by-day commentary on her movements, but also beautifully hand-drawn maps and pictures as well as photographs. More than merely a travelogue, this is a meditation on belonging and on Scottish ancestry. The author experiences a sublime sensation of return while visiting Scotland, an experience affectingly conveyed: “As we walked along the Cuillen Mountains and the Sea of the Hebrides, my hair curled softly, my eyes opened wide under the high grey cover of clouds, and my shoes crunched the fine gravel. I smelled salt and sheep shit and thought, not for the first time, I’m home.”
Lee’s account of her travels, while charming, often seems too personally idiosyncratic to serve as an ideal guide for the average traveler or even one with as much historical curiosity as the author. She dwells at great length on her own emotional experience as well as on the dynamic between herself and her travel companions, a personal element of the book referenced in its title: “Six degrees of latitude refers not only to the distance from the north coast of Scotland to the southern shores of Ireland but also to each of us giving each other enough physical, emotional, and intellectual leeway to make this trip possible while simultaneously sharing our genuine selves and experiences. We came to know each other in ways not otherwise possible in our daily lives.” Lee does, however, include in the book a series of helpful indices; for example, she provides excellent counsel regarding the essentials one should pack. Moreover, this quirky remembrance is brimming with curious factoids about Irish and Scottish culture; who knew that human sacrifice was a “normal part of Celtic rituals”? Lee even provides details of her Aunt Froggie’s recipe for Yorkshire pudding. For the most part, though, one simply has to wade through far too much narrative commentary to glean advice. In short, the book as a whole reads more like a diaristic account of Lee’s personal experiences rather than a useful travel guide for others. For this reason, it’s most likely to prove delightful to her family and friends, especially those who traveled with her. For the very same reasons, though, it is unlikely to be a suitable guide for those outside that intimate circle.
A thoughtful reminiscence best suited to an audience of the author’s family and friends.Pub Date: Feb. 8, 2022
ISBN: 979-8985179705
Page Count: 284
Publisher: Leslie Lee Publisher
Review Posted Online: March 31, 2022
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Melania Trump ‧ RELEASE DATE: Oct. 8, 2024
A slick, vacuous glimpse into the former first lady’s White House years.
A carefully curated personal portrait.
First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.
A slick, vacuous glimpse into the former first lady’s White House years.Pub Date: Oct. 8, 2024
ISBN: 9781510782693
Page Count: 256
Publisher: Skyhorse Publishing
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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