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THE 13 BEST HORROR STORIES OF ALL TIME

Not for the paranoid.

Nifty collection of chillers that are a homecoming to the best in the genre.

Okay, some readers will remember different tales that chilled them more (such as Clark Ashton Smith’s braineaters in “Mimic”), but few will deny the high quality here. Speaking of brains, J. Sheridan Le Fanu’s “Green Tea” turns on a congestion of brain fluids that produces a vicious spectral illusion of a monkey that decides to cling to a minister who has read too much Swedenborg. Now, reading the mystical Swede doesn’t actually produce the monkey—it’s the transformation of spiritual brain fluid that might well have been cured, according to the specialist the minister approaches, with iced eau de cologne held to the forebrain. In a way, then, Le Fanu does not tell a supernatural story. Nor does Edgar Allan Poe in “The Tell-Tale Heart,” since it turns on the hysteria of a murderer gone mad and hearing things thumping under the floorboards. Brains gone awry must once have been thought invaded by angry spirits. Readers can have nothing but praise for a volume that includes Oliver Onions’s “The Beckoning Fair One,” Charlotte Perkins Gilman’s postpartum “The Yellow Wallpaper,” Arthur Machen’s “The Great God Pan,” Bram Stoker’s “Dracula’s Guest,” and Shirley Jackson’s brilliant “The Lottery.” Which story chills the most? Perhaps H.P. Lovecraft’s absolutely supernatural “The Call of Cthulhu,” about the unspeakable Great Old Ones, who, when the stars were right, could plunge from world to world and now lie dreaming in horrid cities on the ocean bottom. Mercifully, Lovecraft tells us, “We live on a placid island of ignorance in the midst of black seas of infinity. . . .” Other delectables: Robert Louis Stevenson’s “The Bottle Imp,” W.W. Jacobs’s “The Monkey’s Paw,” and H.G. Wells’s “The Country of the Blind,” among other blood-sweets.

Not for the paranoid.

Pub Date: Sept. 1, 2002

ISBN: 0-446-67950-X

Page Count: 400

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2002

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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