For connoisseurs of speculative fiction who enjoy detailed worldbuilding.
In the near future, the world is run by WellCorp but all is far from well.
Stephens’ debut begins in “Zone 874, Pacific Ocean, 29 Days Post-Launch,” where we find one of our two heroines, Maggie, alone and afloat in a vessel called a WellPod, which is about to serve her a so-called latte made of mushrooms and root vegetables. "When Maggie could see the brown sludge that coated the bottom of the mug, she placed it back on the coaster, triggering its descent into the table at the same time her gratitude journal slid out from a lower compartment.” A passion for worldbuilding continues to drive this story of Lenses, Devices, Injectibles, Pohvees, WellNests, EarDrums, and much, much more as we go landside and meet Maggie’s live-in partner, Noa, who works at WellCorp’s Malibu campus, where she and Maggie have been assigned a high-tech apartment. With wildfires, earthquakes, and drought having wiped out most of the rest of California, volunteering for a Pod voyage was Maggie’s only option for getting out of town—and she really needs a break to figure out what to do about her unexpected pregnancy. Oops. In chapters dated by number of days pre- and post-launch, a complicated story unfolds. One has to do with corporate malfeasance and whistleblowing at WellCorp—were the Pods really ready to launch, and is there a major storm underway? Others involve infidelities and betrayals both past and present. It’s hard to keep up with which scary threat you’re supposed to be worrying about and which characters you’re rooting for—and the constant explanations and exposition dry up the juice. The novel is happiest when preparing and serving futuristic meals. “The hatch of her NutriStation opened and Maggie reached inside for her plate. The diagram projected through her Lens mapped out the baked coconut bacon, sun-yellow cherry tomatoes cooked in lab-grown avocado oil and coated in ancient grains aside tempeh topped with a dollop of collagen- and protein-fortified macadamia nut labneh.” Sounds better than the latte, anyway.
For connoisseurs of speculative fiction who enjoy detailed worldbuilding.Pub Date: yesterday
ISBN: 9781668034316
Page Count: 320
Publisher: Scout Press/Simon & Schuster
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A fever dream about despair and regret that will stay with you long after the credits have rolled.
When an unreleased cult movie is rebooted, the surviving member of the original film’s crew grapples with psychic whiplash.
Even though it’s not steeped in horror lore like the bangers being cranked out by Stephen Graham Jones or Grady Hendrix, this captivating take is tailor-made for fans of Stephen King and Jordan Peele alike. A cautionary tale with elements of indie movie darlings The Blair Witch Project, Blue Velvet, and River’s Edge, this chronicle of hometown kids trying to make a cheap slasher flick is shockingly memorable and deeply disturbing. Our unnamed narrator is the last survivor of the eponymous movie, filmed in the summer of 1993. Their Horror Movie concerns teens who torture one of their own—the narrator’s role is that of the Thin Kid, akin to the Slender Man of urban legend—and suffer the consequences. In the mix are the film’s obsessive director, Valentina; a handful of cast and crew; and the film’s ethereal screenwriter, Cleo, whose presence is most fully felt within the pages of her unusually personal screenplay. After a bewildering tragedy, the film was never released. Decades later, Valentina uploads a few scenes, some stills, and the screenplay to the internet, inspiring the modern-day reinvention. With his crewmates long dead by mostly natural causes, the narrator reluctantly agrees to capitalize on his infamy, eventually agreeing to participate in a hot horror reboot. Revolving between the original production and the big-budget reimagining, Tremblay deftly sidesteps genre tropes and easy laughs for a truly disturbing experience inside some very troubled heads. “Don’t get me wrong, it’s going to be a great movie,” cautions our Thin Kid. “You’re all going to see it. Most of you are really going to like it.…Will the movie be something you take with you, that stays with you, burrows into and lives in a corner inside you? That, I don’t know.”
A fever dream about despair and regret that will stay with you long after the credits have rolled.Pub Date: June 11, 2024
ISBN: 9780063070011
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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