An affectionate and historically valuable document of an intriguing, little-served corner of American entertainment.
The salty reminiscences of participants in the classic age of burlesque enliven this companion volume to a documentary film directed by the author.
Zemeckis assembled an impressive number of surviving performers from roughly the 1930s through the late ’50s to recount their experiences toiling in this often misunderstood cul-de-sac in American performing arts. An evolution of vaudeville, burlesque added striptease to the program in an effort to lure audiences back from the movies by giving them something unavailable on the silver screen. Such luminaries as Blaze Starr, Tempest Storm and Dixie Evans dish on backstage rivalries, the depredations of the road, the stigma of stripping and all other aspects of burlesque life, providing an engaging behind-the-scenes analysis of an art form most people have heard of but few understand. In fact, the performers themselves contribute contradictory perspectives, describing the shows variously as bawdy but innocent escapism for cash-strapped regular folks or exploitative flesh parades with audiences full of men furtively masturbating behind newspapers. However, the interviewees share a common spirit of toughness and rueful good humor, which jibes with their status as, in the main, poverty-stricken young women who could earn more disrobing than waiting tables. A defiant pride in burlesque's second-rate status in the entertainment firmament—the performers may not have had the goods to make it in “legitimate” venues like the movies or Broadway, but they left the audiences happy—also unites the subjects, who take poignant pride in their brief moments of relative fame. The narrative moves briskly and will engross anyone interested in midcentury Americana. There is much colorful ground-level showbiz detail and descriptions of what it was like to work circuses, carnivals and the rotating theatrical circuit known as “The Wheel,” and the anecdotes are never less than good fun.
An affectionate and historically valuable document of an intriguing, little-served corner of American entertainment.Pub Date: June 1, 2013
ISBN: 978-1-62087-691-6
Page Count: 368
Publisher: Skyhorse Publishing
Review Posted Online: March 30, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
