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DEBORAH, GOLDA, AND ME

BEING FEMALE AND JEWISH IN AMERICA

Expressly following the feminist dictum that ``the personal is political,'' Pogrebin (Among Friends, 1986; Family Politics, 1983, etc.), a founding editor of Ms. magazine, mixes memoir with reportage to chart her dual commitment to Judaism and feminism. In four closely interwoven sections, the author traces her development from childhood in a religiously observant family through adult rediscovery of spiritual identity and subsequent efforts to reconcile Judaism with feminism in both the religious and secular realms, and on to her present determination ``to live life with a feminist head and a Jewish heart.'' Finding herself ``frayed and frazzled as both a Jew in the women's movement and as a feminist in Judaism,'' Pogrebin lays claim to a ``middle ground.'' To her credit, she doesn't skirt the tough issues—how to blend an often explicitly patriarchal religion with feminist beliefs; the problem of anti-Semitism in the women's movement; the breakdown in black-Jewish relations; the seemingly intractable Palestinian question—but this very inclusiveness gives the book a choppy feel, too much like a pieced-together collection of magazine articles (which some of the chapters were). We get Jewish feminist efforts to make ritual more relevant; an analysis of movie stereotypes; accounts of attempts at black-Jewish and Palestinian- Jewish feminist dialogues. Then there's an intimate disclosure of family secrets, up through the author's college days, at which point Pogrebin abruptly clamps down on confession, confining her reports of soul-searching to the activist spheres. An odd hybrid in which the personal and political awkwardly jostle one another and tend to get hopelessly mixed up in the fray.

Pub Date: Sept. 1, 1991

ISBN: 0-517-57517-5

Page Count: 400

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1991

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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