This powerful ode to community delivers a timeless message of humility, perseverance, and hope.
Pham addresses the adversity and resulting growth experienced individually and collectively while the world sheltered in place.
This uplifting reflection on the spring 2020 coronavirus lockdowns expounds on the resiliency of the human spirit as everyone the world over shut themselves indoors. Several different locales and styles of homes are depicted, highlighting the global impact of this almost universal experience. The simple, first-person narrative emphasizes we through deliberate pacing and repetitive use, firmly cementing the theme of togetherness and connection. While the narrative never explicitly names the virus, this accounting is sensitive to both the challenges and triumphs of navigating this new reality of shared vulnerability. A busy street scene filled with masked first responders and other essential workers is followed by a double-page montage of hospital views inspired by real events. One double-page spread shows families cooking and playing while also featuring anxious faces of adults and a frustrated child at a computer screen. These vignettes are outlined in angular edges, reflecting the uncertain, disjointed feelings experienced by all. A following spread shows a larger spectrum of daily moments, this time shaped in sturdy squares and rectangles that signal a newfound stability as people learned to endure and adapt. Told with a gentle but steadying reassurance, this book posits that despite differences or the distances among us, everyone stayed inside because “it was the right thing to do.” Intentionally diverse, the characters represent a wide range of racial presentations. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 30.5% of actual size.)
This powerful ode to community delivers a timeless message of humility, perseverance, and hope. (author's note) (Picture book. 3-7)Pub Date: Jan. 5, 2021
ISBN: 978-1-250-79835-0
Page Count: 48
Publisher: Roaring Brook Press
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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