Drink from this chalice.
On a car trip to visit their mother, three brothers and a sister are lured into a mysterious palace.
The initial, stark white page includes a small illustration of a wizened tree with white blossoms. An ominous, prophetic rhyme warns of Teller’s Hollow (“A sip from the chalice, we enter his palace / Break bread for the Keeper, now we descend deeper…”). Three ensuing pages of wordless, hyper-realistic, full-page illustrations rely on a palette of Dust Bowl colors, showing, first, a slight young girl exiting a dreary stucco house and entering an equally dreary, occupied whitish car; the car then winds its way through a desolate desert. As the car pulls over, the brothers spot flowers and pick some for their mother. When they come upon a fantastical palace, the brothers, hungry and thirsty, eat and drink the food they find; the girl alone resists temptations in this odd realm ruled by a lion called the Teller and populated by dozens of other animals. At last, the girl safely shepherds her brothers to the stark institution housing their mother; more mysteries arise. This is a strange tale, laden with ambiguities. However, herein lies the appeal; succinct, carefully chosen text and hauntingly beautiful artwork create a story that demands that its readers return to each page, trying to figure out answers to questions whose answers exist only in readers’ imaginations. This mesmerizing work offers potential jumping-off points to discuss many topics, including magical realism, symbolism, family relationships and roles, and mental health. Characters are light-skinned and dark-haired. (This book was reviewed digitally.)
Drink from this chalice. (Picture book. 7-12)Pub Date: Nov. 8, 2022
ISBN: 978-1-5362-1282-2
Page Count: 40
Publisher: Candlewick Studio
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
PERSPECTIVES
PERSPECTIVES
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
A sympathetic, compelling introduction to wolves from the perspective of one wolf and his memorable journey.
Separated from his pack, Swift, a young wolf, embarks on a perilous search for a new home.
Swift’s mother impresses on him early that his “pack belongs to the mountains and the mountains belong to the pack.” His father teaches him to hunt elk, avoid skunks and porcupines, revere the life that gives them life, and “carry on” when their pack is devastated in an attack by enemy wolves. Alone and grieving, Swift reluctantly leaves his mountain home. Crossing into unfamiliar territory, he’s injured and nearly dies, but the need to run, hunt, and live drives him on. Following a routine of “walk-trot-eat-rest,” Swift traverses prairies, canyons, and deserts, encountering men with rifles, hunger, thirst, highways, wild horses, a cougar, and a forest fire. Never imagining the “world could be so big or that I could be so alone in it,” Swift renames himself Wander as he reaches new mountains and finds a new home. Rife with details of the myriad scents, sounds, tastes, touches, and sights in Swift/Wander’s primal existence, the immediacy of his intimate, first-person, present-tense narration proves deeply moving, especially his longing for companionship. Realistic black-and-white illustrations trace key events in this unique survival story, and extensive backmatter fills in further factual information about wolves and their habitat.
A sympathetic, compelling introduction to wolves from the perspective of one wolf and his memorable journey. (additional resources, map) (Fiction. 8-12)Pub Date: May 7, 2019
ISBN: 978-0-06-289593-6
Page Count: 240
Publisher: Greenwillow Books
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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