’Tis a brillig sendoff; fans of all things toothy and terrifying will gyre and gimble in its wabe.
A young hero takes on a truly humongous monster in the late Santore’s final, probably, and most melodramatic set of illustrations.
Nobly posed in a three-quarter-length portrait at the beginning, the White-presenting hero looks more wiry than ripped for all his bare chest and granite jaw—not the most likely sort to stand a chance against the immense, slavering, crocodilian beast that pounces in the climactic double gatefold. Still, one hack of the jeweled vorpal blade later, the creature’s minivan-sized head lies in a pool of gore. (How the hero contrives to go galumphing back with it is left to the imagination, as in the next scene he’s already raising his arms in triumph amid a cloud of parrotlike slithy toves to a chortled offstage “Callooh! Callay!”) Being positively crowded with artfully detailed tortoises, sundials, and badgerlike creatures with long, pointy noses, the dim and mossy tulgey wood makes a properly surreal setting; for extra monster thrills the artist inserts separate outsized views of the likewise slavering Bandersnatch, part boar and part tiger, and a fantastically plumed and toothy Jubjub bird that looks as if it could have a T. rex for breakfast. In his note the artist discusses his approach to the nonsense poem and properly echoes Martin Gardner’s Annotated Alice in encouraging readers to realize that “the words mean what they sound.”
’Tis a brillig sendoff; fans of all things toothy and terrifying will gyre and gimble in its wabe. (Picture book poem. 6-10)Pub Date: Aug. 25, 2020
ISBN: 978-0-7624-6543-9
Page Count: 32
Publisher: Running Press Kids
Review Posted Online: Oct. 20, 2020
Good, solid fantasy fun.
Nine-year-old Brooklynite Jaxon meets a witch, becomes her apprentice, and protects baby dragons all in one eventful day.
As the story opens, Jaxon and his mom are being evicted. While Mama tries to secure a place to stay, she leaves him with Ma, the woman who raised her. Ma clearly doesn’t want Jaxon around, but it becomes apparent that’s at least partially due to a mysterious package she’s received. Jax soon discovers that Ma’s a witch, his mom used to be Ma’s apprentice (a mantle he takes up), and that Ma’s package contains…baby dragons! The dragons need to be taken to the magical realm, but a transport malfunction strands Ma while Jax is sent back to Brooklyn. Desperate to save Ma, Jax enlists the help of his friend Vikram, whose little sister, Kavita, tags along. Curious—or is it nosy?—Kavita discovers the dragons and does the worst: feeds them. This not only increases their size, but bonds them to her. Thankfully, Trub, Jax’s maternal grandfather, is a magic user and helps Jax find Ma and get the dragons to the magical realm, where (discerning readers won’t be surprised) they discover one dragon is missing….What a breath of fresh air: a chapter-book fantasy with an urban setting, an array of brown-skinned magic wielders, and a lovable black protagonist readers will root for and sympathize with. Geneva B’s black-and-white illustrations depict a cast of color and appear every few pages.
Good, solid fantasy fun. (Fantasy. 6-10)Pub Date: Oct. 23, 2018
ISBN: 978-1-5247-7045-7
Page Count: 160
Publisher: Random House
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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