A captivating, action-packed, queer reimagining of the Robin Hood legend through the sharp eyes of his granddaughter.
The once-celebrated Merry Men have lost their way in the years since Robin Hood left the cause, making them nearly as feared as the Sheriff of Nottingham.
Serious, unflappable Mariel Hartley-Hood has a lot to live up to as Captain of the Merry Men. Her father is Commander Hartley, and she’s the granddaughter of Robin Hood himself. Her ragtag team is on the right track until a botched kidnapping lands her with a very annoying (and distractingly cute) captive: Clemence Causey. Clem is a wisecracking, skilled natural healer from a far corner of the forest. Eventually, Clem’s humor and lightheartedness chip away at Mariel’s stoic exterior, and sharp banter and tender moments stoke a romantic fire between the two. When Mariel learns that her father has been captured by the Sheriff, the Merry Men (and Clem) embark on a rescue mission. Told from Clem’s and Mariel’s alternating third-person perspectives, this queer enemies-to-lovers romp features a cast of racially diverse Merry Men who, of course, are not all men—the gang members use a variety of pronouns and represent a range of sexualities. Clem and Mariel read white. Croucher peppers their well-paced, witty, and thrilling novel with battle scenes. The story takes as many twists as the winding forest paths and hums with an undercurrent of friendship, honor, and the importance of found family.
A captivating, action-packed, queer reimagining of the Robin Hood legend through the sharp eyes of his granddaughter. (Fiction. 14-18)Pub Date: today
ISBN: 9781250847232
Page Count: 352
Publisher: Wednesday Books
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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