Everyone should read this remarkable, affecting novel.
A 10-year-old transgender boy sends letters via balloon, hoping someone out there will read them.
It’s 1997, and Rowan is starting fifth grade. He knows he’s a boy, but no one else understands. He called a girl “cute” during truth or dare, and now he’s a social pariah. His dad comes into his room at night, but he’s not ready to talk about that yet. He’s sorry for being weird. Bean vividly and sensitively captures the struggle of being a child who just can’t fit in and doesn’t understand why. It is an authentic portrayal of childhood pain without an ounce of condescension. Over the course of the school year, Rowan, who is presumed to be White, and his new best friend Sofie, who appears to be Black, struggle to make sense of what is right and wrong, good and bad in their working-class Michigan world. While the book tackles big issues, primarily addressing being trans and queer and surviving incest as well as touching on parental incarceration, anyone who has ever been a sad or confused child will be able to see a little bit of themselves in Rowan and Sofie. And if the author leans a bit heavily on the unnecessary crutch of ’90s references, at least it increases the book’s appeal for both young retro-enthusiasts and nostalgic adults—and this is one of those rare middle-grade books with real adult appeal.
Everyone should read this remarkable, affecting novel. (author's note, resources, acknowledgements) (Historical fiction. 10-14, adult)Pub Date: May 26, 2020
ISBN: 978-0-525-55483-7
Page Count: 288
Publisher: Dial Books
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
PERSPECTIVES
PERSPECTIVES
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...
Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.
Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)Pub Date: Aug. 7, 2018
ISBN: 978-1-250-30757-6
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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