Still, as the Shamus-winning “Dead Drunk” (who’s pouring water over homeless men who end up literally frozen?) shows, when...
In her brief introduction to this nine-story retrospective, the chronicler of upscale attorney Laura Di Palma and struggling-scale attorney Willa Janssen explains that several of them began life as full-fledged novels, and it shows. “Dream Lawyer,” which pits Willa against a just-offstage Laura; “Easy Go,” about a disbarred lawyer struggling to earn a second chance at respectability; and, best of all, the title story, which drags a divorcée into defending her husband for killing his second wife—each of them has enough surprises, and enough warmth, to sustain half a dozen lesser efforts. And Matera, editor most recently of Irreconcilable Differences (1999), obligingly supplies several lesser efforts so you can compare. “Performance Crime” is a silly tale of cereal murder and other pun-addled felonies that shows its gifted author marking time, and “Do Not Resuscitate” is the sort of ironic étude you’ve read a hundred times before. “The River Mouth” (a troubled romantic pair from the city meets a Yurok woman who tells them more about themselves than they wanted to know) and “If It Can’t Be True” (a terrorist’s demand for his sister to be released from a mental institution goes fatally awry) are both more successful as atmospheric sketches than achieved stories. Of all the non-attorney exhibits in evidence here, only “Destroying Angel” (a fungus expert meets her match in some lethal mushrooms) stacks up to the stories about the criminal bar.
Still, as the Shamus-winning “Dead Drunk” (who’s pouring water over homeless men who end up literally frozen?) shows, when you do want a lawyer, you can’t do better than Matera.Pub Date: June 1, 2000
ISBN: 0-7862-2537-8
Page Count: 173
Publisher: Five Star/Gale Cengage
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2000
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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