This wild and wacky time travel romance may challenge even the most adventurous reader.
A 21st-century hockey player becomes a prime marriage-of-convenience candidate when he's thrust into 19th-century England.
After having been benched for the season, professional hockey goalie Tucker Taylor decides to use his time off to visit his sister in England. After an unexpected dip into a local cow pond finds him emerging in 1812, he meets spinster Lizzy Wooddash, who's as perplexed as he is, especially since she's never seen a cell phone before—there's no service, of course, but she's amazed when Tuck takes her picture. All Tuck wants to do is get back to his own time, but Lizzy sees an opportunity, prompted by a suggestion from her friend Jane Austen. Lizzy longs for the life of freedom often afforded to widows. If she and Tuck marry, she'll be declared a widow once he returns to the present day and disappears from her era. In the meantime, Lizzy is happy to provide Tuck with guidance on how to blend into Regency society. Lizzy takes things in stride, perhaps a bit too much, as the notion that a man from the future—who plays a sport that hasn't been invented yet—has shown up in her timeline prompts barely any disbelief on her part. Of course, Tuck and Lizzy's well-meaning plan begins to go wrong as their mutual attraction grows and they start to rethink whether they'll be able to make a clean break when Tuck is able to leave Lizzy's world. As if a time-traveling hockey player didn't make this story strange enough, the inclusion of Jane Austen—who's inspired by Lizzy to create the character Elizabeth Bennett—is an even more bizarre detail. While the romance genre nurtures a culture where even the most inventive and nonsensical setups can find an audience, this book doesn't quite nail the campy creativeness needed to pull off its odd combination.
This wild and wacky time travel romance may challenge even the most adventurous reader.Pub Date: Nov. 12, 2024
ISBN: 9780063412323
Page Count: 320
Publisher: Avon/HarperCollins
Review Posted Online: Sept. 13, 2024
Kirkus Reviews Issue: Oct. 15, 2024
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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