The barrage of names and places can be hard to follow, but the fluid prose and morally ambiguous characters are magically...
Hearn’s brand of Asian fantasy fiction is a genre unto itself; having completed her Tales of the Otori (Heaven’s Net Is Wide, 2007, etc.), the pseudonymous Hearn begins her new series, The Tale of Shikanoko, by introducing the primary characters while setting up conflicts and relationships that will evolve in the three volumes to follow, all to be published this year.
It is “a time of troubles and opportunities.” As the weak emperor nears death, his two sons jockey for power, each with his own followers. The title character, who threads through the book connecting disparate stories and dynasties, begins life as Kazumaru, son of a vassal to Lord Kiyoyori, whose allegiance lies with the emperor’s older son, the crown prince. Fatherless at 7, Kazumaru escapes a murderous uncle/guardian at 16 to land in a sorcerer’s lair, where he receives a magical mask and is renamed Shikanoko, “the deer’s child.” He finds work with a mountain bandit whose companion is beautiful Lady Tora, with whom Shikanoko believes he had carnal relations under the sorcerer’s spell. Meanwhile Lord Kiyoyori, a widower with one daughter, Hina, follows his father’s command to unite the Kuromori and Matsutani dynasties by taking his younger brother’s wife, Lady Tama, as his own, though neither he nor his brother desire the change. Although Tama bears Kiyoyori a son, he distrusts her loyalty, especially after foiling an assassination attempt by the mountain bandits thanks to his “wise man” Sesshin. Kiyoyori, who has fallen madly in love with Lady Tora, allows Shikanoko to study with Sesshin, but Tama banishes them in a fit of panicky anger when her son disappears. Shikanoko ends up under the control of the Prince-Abbot, the emperor’s brother-in-law. When war breaks out after the emperor’s death, the crown prince’s young son, Yoshi, goes into hiding with Aki, his foster father's daughter. As Kiyoyori sadly recognizes in his world, children are pawns in the quest for power.
The barrage of names and places can be hard to follow, but the fluid prose and morally ambiguous characters are magically seductive.Pub Date: April 26, 2016
ISBN: 978-0-374-53631-2
Page Count: 272
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 3, 2016
Kirkus Reviews Issue: Feb. 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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