Expect graphic violence, fairy-tale magic, flights of comedy, and operatic melodrama but also genuine intimacy and tragedy.
The four-book Tale of the Shikanoko series reaches its finale as destiny has its way, determining once and for all who will be emperor of Hearn’s fantasy feudal Japan.
The hidden emperor Yoshi was a small child back in Emperor of the Eight Isles (2016) when he was forced to flee for his life with the Autumn Princess and her stepsister Kai after his uncle Daigen was named emperor. Now grown, Yoshi does not want to acknowledge his royal lineage, preferring a quiet life as an acrobat. But Lord Aritomo of the Miboshi Clan, who has been the force behind Daigen all along, receives reports that Yoshi has been sighted for the first time in 12 years. Ailing yet desperate to outlive friends and foes, Aritomo hopes that by capturing and publicly executing Yoshi he can prove portents, including drought and famine, that Yoshi is the true emperor to be wrong. Aritomo no longer trusts his vassal Masachika, who resembles both Macbeth and Iago in ambition, duplicity, and love for his wife. But if Yoshi’s claim on the throne is a threat to Daigen’s rule, title character Shika’s legendary powers are far more worrisome to Aritomo and Masachika. Over the course of the series, Shika evolved from orphan to bandit to warrior to superpowered half-man/half-beast forced to wear a magically empowered deer mask. He has been living in the Darkwood for years by the time Hina, the central character of Lord of the Darkwood (2016), manages to find him. Her tears of love help Shika remove his deer mask, and she introduces him to his son, Take, born to the Autumn Princess before her death in Autumn Princess, Dragon Child (2016). But will Shika decide to quit his self-exile, and does he have enough martial and supernatural muscle to defeat Aritomo—or to convince Yoshi to take up the mantle and rule?
Expect graphic violence, fairy-tale magic, flights of comedy, and operatic melodrama but also genuine intimacy and tragedy.Pub Date: Sept. 27, 2016
ISBN: 978-0-374-53634-3
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 2, 2016
Kirkus Reviews Issue: July 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.
After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.
No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.
A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.Pub Date: Feb. 26, 2019
ISBN: 978-1-63557-029-8
Page Count: 848
Publisher: Bloomsbury
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
Entertaining, though not in the league of J.K. Rowling—or even Anne Rice. But please, people: no more vamps and wizards, OK?
Harry Potter meets Lestat de Lioncourt. Throw in a time machine, and you’ve got just about everything you need for a full-kit fantasy.
The protagonist is a witch. Her beau is a vampire. If you accept the argument that we’ve seen entirely too many of both kinds of characters in contemporary fiction, then you’re not alone. Yet, though Harkness seems to be arriving very late to a party that one hopes will soon break up, her debut novel has its merits; she writes well, for one thing, and, as a historian at the University of Southern California, she has a scholarly bent that plays out effectively here. Indeed, her tale opens in a library—and not just any library, but the Bodleian at Oxford, pride of England and the world. Diana Bishop is both tenured scholar and witch, and when her book-fetcher hauls up a medieval treatise on alchemy with “a faint, iridescent shimmer that seemed to be escaping from between the pages,” she knows what to do with it. Unfortunately, the library is crammed with other witches, some of malevolent intent, and Diana soon finds that books can be dangerous propositions. She’s a bit of a geek, and not shy of bragging, either, as when she trumpets the fact that she has “a prodigious, photographic memory” and could read and write before any of the other children of the coven could. Yet she blossoms, as befits a bodice-ripper no matter how learned, once neckbiter and renowned geneticist Matthew Clairmont enters the scene. He’s a smoothy, that one, “used to being the only active participant in a conversation,” smart and goal-oriented, and a valuable ally in the great mantomachy that follows—and besides, he’s a pretty good kisser, too. “It’s a vampire thing,” he modestly avers.
Entertaining, though not in the league of J.K. Rowling—or even Anne Rice. But please, people: no more vamps and wizards, OK?Pub Date: Feb. 8, 2011
ISBN: 978-0-670-02241-0
Page Count: 592
Publisher: Viking
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Dec. 15, 2010
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