Next book

ANA MARÍA AND THE FOX

An enjoyable start to an exciting new series and a new direction for historical romance.

A politician’s daughter finds love across the ocean.

It’s 1863, and the Luna sisters are on the run. Mexico is under attack by Napoleon III, and their prominent political family has sent them to England for safety. Though their father expects all three to be discreet while there, their uncle asks them instead to be visible and charming, hoping that enjoying the company of three “goodwill ambassadors” at ball after ball will inspire the queen’s government, presently neutral, to take Mexico's side against the French. This soon brings oldest sister Ana María into contact with an unusual Member of Parliament: Mr. Gideon Fox. The grandson of a woman who'd been enslaved in South Carolina before escaping to England on a packet ship, Gideon is focused on outlawing all remaining loopholes that allow British subjects to profit from the trans-Atlantic slave trade. Though they are immediately drawn to each other, the obeisant Ana María is already promised to one of her father’s political allies, so they try to maintain a professional distance. But as the season brings them together again and again, they finally give in to their attraction just before sudden danger necessitates what seems like a marriage of convenience (that both are secretly pleased to enter), though their well-planned futures may be overturned as a result. De la Rosa launches a thrillingly different series based on the historical fact that a number of Mexicans immigrated to England in the middle of the 19th century, centering two unusual perspectives on the overwhelmingly White world of Victorian London society. Because Ana María and Gideon have had to be more mature than most socialites, their emotional explorations are careful even when things get spicy. As a result, the story's conflict primarily derives from external events, but the couple's chemistry is undeniable—and makes for compelling reading. The other triumph of the story is the development of the sisterly love among the Luna women, who in the first chapter are at odds but by the last are very close to one another; readers will look forward to the next installments, focusing on Isabel and Gabriela.

An enjoyable start to an exciting new series and a new direction for historical romance.

Pub Date: April 4, 2023

ISBN: 9780593440889

Page Count: 352

Publisher: Berkley

Review Posted Online: Jan. 24, 2023

Kirkus Reviews Issue: Feb. 15, 2023

Awards & Accolades

Likes

  • Readers Vote
  • 237


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Awards & Accolades

Likes

  • Readers Vote
  • 237


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

Awards & Accolades

Likes

  • Readers Vote
  • 527


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

Awards & Accolades

Likes

  • Readers Vote
  • 527


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

Close Quickview