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RAIN FALLING ON EMBERS

A KATIE MCCABE NOVEL

Too many miscues hamper this novel’s potential to create a believable and endearing teen protagonist.

Gardner’s YA novel follows a 13-year-old girl whose world is turned upside down when her terminally ill father sends her away to live with her uncle.

Katie McCabe is a troublemaker who causes her single-parent father, Ron—the town’s sheriff—seemingly endless strife. When she and her friend, Tommy, accidentally set a neighbor’s shed on fire while smoking cigarettes and drinking alcohol, her dad does the unimaginable: he arranges for her to live with her uncle, Charlie, and his family. As Katie reels from the devastating news, she discovers her father’s true reason for the decision—he has terminal cancer. The strength of this story is in the emotional intensity and complexity of Katie’s painful journey of self-discovery. The author explores the turbulent teen years masterfully, examining numerous themes that will surely resonate with young readers, including bullying, dealing with grief and loss, first love, and finding one’s place in the world. Additionally, Gardner does a good job of capturing the personality of a 13-year-old, particularly through the deft use of first-person POV; When Katie notes the school principal’s crooked bow tie, she thinks to herself: “He didn’t need any help being dorkified.” The novel’s thematic power, however, is undermined by its complete lack of specificity when it comes to time and place. Readers are given no indicators of when the story takes place or where it is set, which lends the narrative a groundless feel. This nebulosity gives rise to numerous questions that take the reader out of the story: Why doesn’t anyone have cellphones, although other electronic devices are referenced? Where are the security cameras at the school? Where is it commonplace to see a student on horseback at a middle school? Finally, the contrived nature of some of the plot points in the latter half of the novel rankles; to say the story’s events defy believability is an understatement.

Too many miscues hamper this novel’s potential to create a believable and endearing teen protagonist.

Pub Date: Oct. 3, 2023

ISBN: 978-1645480891

Page Count: 252

Publisher: Vesuvian Books

Review Posted Online: July 20, 2023

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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