Expertly told tales that offer glimpses into the lives of isolated characters.
Andreasen’s collection of short stories presents fantastical characters with relatable troubles.
The opening story “My Big Man” follows an unnamed, cave-dwelling character from adolescence through puberty and into motherhood, before a descent into chaos, establishing the author’s unique voice. Readers witness her trading her “big man” (her father) for her “man” (mate), and later grieving the loss of her childhood and her baby, who’s the indirect victim of an extended famine. In just a handful of pages, Andreasen sketches a relatable life, reeling readers in with familiarity and warmth, and then snapping them back into reality with a gentle reminder that the narrator would later be known as a “Neander-Thal”: “I can tell death even from a distance,” she thinks to herself while drawing readers close as witnesses to her end. Andreasen’s intimate storytelling carries through 17 more stories. In “The Puppet Show,” a bitter puppeteer tries to drown his regrets with alcohol, shutting himself away in his theater from the sobering post-communist setting that surrounds him. In his bubble, life is colorful and almost surreal, flirting with the whimsy one might expect from his occupation; however, he also single-mindedly works on his craft. Depictions of obsession are revealed to be Andreasen’s most powerful weapon; it’s the downfall of nearly every protagonist as their passion bleeds into preoccupation, usually at the cost of precious time—whether it’s in a story about a sculpture of a woman (“Mahogany”), rats (“The Return”), or the pressures of being “the only true cowboy in Upstate New York” in the final work, “Warner’s Caddy.” Even in the titular tale, a woman escapes the tension of traffic by watching a flock of black birds overhead, which effectively goes from being a welcome distraction—a quiet image of everyday magic—to a devastating, life-defining moment. Andreasen also ably brings attention to the dangers of daydreaming—another theme to which she often returns.
Expertly told tales that offer glimpses into the lives of isolated characters.Pub Date: Nov. 10, 2024
ISBN: 9798888387320
Page Count: 117
Publisher: Finishing Line Press
Review Posted Online: Oct. 30, 2024
Review Program: Kirkus Indie
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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