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FOR A SONG AND A HUNDRED SONGS

A POET'S JOURNEY THROUGH A CHINESE PRISON

A rare eyewitness account by a Chinese dissident who managed to flee to the West to gain his freedom and tell his story.

In this third translation of Liao’s work (The Corpse Walker, God Is Red), Wenguang Huang renders a lively, vernacular, fluent sense of the poet’s angry depiction of being abruptly apprended by police in 1990 while making a protest film after the Tiananmen Square crackdown.

A somewhat listless poet, at the time living in Fuling, whose family had been uprooted during the Cultural Revolution (involving the horribly traumatic death of the author’s older sister in a bus accident), Liao was radicalized by the government’s barbarous treatment of the student demonstrators in 1989, when he penned the incendiary poem “Massacre.” A harsh and arbitrary detention ensued over two months at the Song Mountain center, where he was brutally initiated into the hierarchical system of the inmates, such as the “menu” of “dishes” meted out as sadistic punishment among the prisoners—e.g., “Stewed Pig’s Nose,” in which “the enforcer squeezes the inmate’s lips between chopsticks until they swell up”; or “Barbequed Pig’s Chin,” when “the enforcer delivers a blow to the unsuspecting inmate’s chin from below, crushing his teeth together.” Educated and considered “intellectual,” however, the author seems to have skirted the worst of the treatment, likely due to the fact that he was literate and able to help others write letters and read. Yet he was also recalcitrant and refused to sign a confession, prolonging his incarceration. Fighting lice, the brutality of the “enforcers,” horrific deprivation of privacy and basic human needs, suicidal urges and the deep contemplation of death, the author survived by the sheer goodwill and kindness of others, such as the aged Buddhist monk who taught him to play the flute. Liao’s work is an amazing testament to the people who are battling the Chinese police state.

A rare eyewitness account by a Chinese dissident who managed to flee to the West to gain his freedom and tell his story.

Pub Date: June 4, 2013

ISBN: 978-0-547-89263-4

Page Count: 432

Publisher: Amazon/New Harvest

Review Posted Online: March 16, 2013

Kirkus Reviews Issue: April 1, 2013

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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