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THE BIG OVERNIGHT

From the Stella Reynolds Mystery series , Vol. 3

A light and amusing whodunit that proves time spent in the company of the heroine is time well spent indeed.

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Stella Reynolds investigates a pair of murders in this latest installment of Kirsch’s (The Big Interview, 2016, etc.) chick-lit mystery series.  

Book 3 finds the intrepid reporter and amateur detective on the trail of a major drug ring in Knoxville, Tennessee. Stella has moved up the journalism food chain, enjoying a good job in a larger market. She doesn’t have to carry her own TV equipment, and she is far more comfortable with those tricky live shots. Outside of work, Stella is living with her old friend Janet Black, across town from ex-boyfriend John, and still considering her options with former flame and NASCAR driver Lucky Haskins. When Stella covers an overnight shift that morphs from a house fire to a murder, she soon finds herself on a complicated and dangerous case. Two homicides in one night appear to be connected, and the suspect who’s in jail may not be the guilty party. An anonymous tipster pushes Stella to look deeper at the killings, and it becomes apparent that Knoxville’s low crime rates are an illusion. Widespread drug and gang problems lie just below the surface, and government officials, detectives, and leading business owners are all on the take. Kirsch’s third Stella Reynolds mystery still feels fresh and fun. Though the narrative follows a predictable format—what seems to be a straightforward crime is a coverup with larger ramifications—it is still enjoyable to watch the mystery unravel. Kirsch’s leading lady remains a funny and relatable heroine. Her plucky attitude and aptitude for stumbling into sticky situations are pleasantly reminiscent of Janet Evanovich’s popular Stephanie Plum character. Roommate Janet provides an amusing, if somewhat clichéd, tough-nut foil to Stella’s optimism and do-gooder spirit. Stella’s love life is relevant but on the periphery, allowing the focus to remain on the case. One of the strongest facets of Kirsch’s series is her insider knowledge of journalism and TV reporting, which lends a feeling of authenticity to the plot and puts a unique spin on the cozy mystery genre.

A light and amusing whodunit that proves time spent in the company of the heroine is time well spent indeed. 

Pub Date: Oct. 30, 2016

ISBN: 978-0-9969350-3-6

Page Count: 300

Publisher: Sunnyside Press

Review Posted Online: Feb. 17, 2017

Kirkus Reviews Issue: March 15, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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